Ira Glass Quotes
One of the things I learned as a young semiotics nerd was that if you have plot moving forward, no matter how banal the facts of it, simply the fact that the plot is rolling forward makes you wonder what's going to happen next, which creates suspense. So you can control peoples' attention simply by having things move forward in a story.
Quotes to Explore
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A new untruth is better than an old truth.
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One of the prices that we pay for integration was the disintegration of the black community.
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How can you tell your kid, 'You can be anything you want to be,' if you're not trying to do the same?
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Remember when Jay-Z wore a Che Guevara T-shirt? Nobody knew who Che was. Then Jay-Z wears it, and it's everywhere.
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Hollywood, the business, would be just fine if someone were to destroy the Hollywood sign. The city's there is the airport - its point of entry and exit, and in some ways its identity.
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It's pretty far, but it doesn't seem like it.
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I'm not so sure I believe in dopplegangers. I just prefer to be Dane DeHaan.
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Crises are part of life. Everybody has to face them, and it doesn't make any difference what the crisis is.
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Whenever I do something, it seems so right. And turns out so wrong.
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I don't read the press, I don't watch endless music TV.
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It's hard for people sometimes to relate to me. They weren't in the military, they weren't injured overseas in Iraq, they weren't burned, they didn't go through 33 surgeries, or two and a half years in the hospital.
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To prosper and advance, the American business sector is going to need a financial system oriented toward business, not 'home ownership.'
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Happiness is knowing and appreciating what you've got. I am very, very, very grateful for what, to me, is dead easy.
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Underneath this flabby exterior is an enormous lack of character.
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What's most important in animation is the emotions and the ideas being portrayed. I'm a great believer of energy and emotion.
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I had 500 kids at camp this past summer for example. We do nine weeks for kids and nine days for grown ups every summer. The adult camp is a lot of fun.
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It's no surprise that I ended up in sportscasting. I lived this world with my father, Mike Storen. Dad was a sports executive for most of my childhood.
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That's the mantra I use when the team tells me something is too complicated. People keep saying, 'We need more prioritization.' I say, 'Guys, what you want is less work. And that is not going to happen.'
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I don't think I'd ever start making a film until I had both the intimacy with the subject and the distance to make it live in a certain way.
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Any critic of Cezanne who described him as a painter of country scenes would be moving in the wrong direction. You must begin with the question of style . . .
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I have a friend who says, 'The world doesn't need another angry dwarf!'
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This is a divisive issue, but I really hope for unification. Even though we have been divided for a long time, we are all Koreans, so we should live together in a united Korea.
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We have amazing stunt performers and in Miguel Sapochnik, a director who's so good at spending hours and hours and hours on every shot beforehand, so that he knows exactly what he wants when he gets to the battlefield on the day. We only shoot ten-hour days, so you have to pack a lot into those ten hours.
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One of the things I learned as a young semiotics nerd was that if you have plot moving forward, no matter how banal the facts of it, simply the fact that the plot is rolling forward makes you wonder what's going to happen next, which creates suspense. So you can control peoples' attention simply by having things move forward in a story.
