Agnes Moorehead Quotes
Quotes to Explore
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Stax was rejoicing in the difference in who we are, and that's what you see in the film.
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If you were to ask me what I want to do – I don't want to be a celebrity, I want to make a difference.
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Good-quality nuts, toasted in a little butter and salt, make a magical addition to many salads.
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I want to go where I'm the difference. I want to make something out of nothing. I want to be the reason someone is great.
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Out of all the actors I have worked with, I love working with Larry Hagman the most. We were very close and it was just a wonderful time.
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I think it was just an opera. Now, you go to opera, you expect to see and hear what the opera is. So, it was Catfish Row. It was singers. Marvelous voices. It didn't make no difference what color they were.
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I think there's a difference between a gamble and a calculated risk.
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My mom once lost track of me at the zoo and when she found me I was lecturing a man about the difference between dromedary and Bactrian camels. I was about 3 1/2.
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I love actors.
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I've love the challenge of doing something new. Bollywood is magical.
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The difference between the almost right word and the right word is really a large matter - 'tis the difference between the lightning-bug and the lightning.
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There are ways in which you can make sure that even if people come to the theatre because they know an actor or actress, by the end, theyve forgotten that, and they leave going, Wow - what an amazing play.
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There's no difference between a pessimist who says, "Oh it's hopeless, so don't bother doing anything." and an optimist who says, "Don't bother doing anything, it's going to turn out fine anyways. Either way, nothing happens."
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What is it about actors? God knows I get bored with actors talking about themselves.
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I think actors make the mistake of finding their little niche in the business and once they try to do something a little darker, boom, they get slapped across the face for it, so they go back to what they did before.
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Not taboo - it's just that straight actors still risk their careers commercially and economically. They have to please the crowd - they're movie stars; their image is their industry. It goes beyond acting.
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I'd love to perform with other actors and act with actors, true actors. I would like to be in a movie and have full room for acting.
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The thing is I have no ACL. So unless I get surgery, there's nothing really magical that I can do that's going to make it better. I just can get my leg stronger, my muscle stronger and try and support it a little more. But that has a small impact. My knee is loose, and it's not stable, and that's the way it's going to be from here on out.
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I think theatre reminds us what we're doing as actors, because every night and every matinee day, you have an audience telling you what's working and what's not. And that's very good for us as actors to hone our skills.
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One of the fashion things I ever did was for Helmut Lang for Visionaire magazine and I used people from all genders. People from the age of 18 - like James King - to people like my friend Sharon [Stone] who's about 50 or older. People of all different shapes and literally all different genders and my boyfriend at the time and his daughter who was 11.
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That's what all art's about - a sense of moving away from boundaries that you can't in real life. Like a dancer is always trying to fly, really - to do something that's just not possible. But you try to do as much as you can within those physical boundaries.
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I'm always the cousin that can't make it to the family functions because I'm busy.
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Endorsing unconventional monetary policies unquestioningly is tantamount to saying that it is acceptable to distort asset prices if there are other domestic constraints on growth.
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Actors have a magical difference from other people.
