Agnes Moorehead Quotes
Quotes to Explore
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Stax was rejoicing in the difference in who we are, and that's what you see in the film.
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Good-quality nuts, toasted in a little butter and salt, make a magical addition to many salads.
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I want to go where I'm the difference. I want to make something out of nothing. I want to be the reason someone is great.
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Out of all the actors I have worked with, I love working with Larry Hagman the most. We were very close and it was just a wonderful time.
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I think it was just an opera. Now, you go to opera, you expect to see and hear what the opera is. So, it was Catfish Row. It was singers. Marvelous voices. It didn't make no difference what color they were.
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I think there's a difference between a gamble and a calculated risk.
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My mom once lost track of me at the zoo and when she found me I was lecturing a man about the difference between dromedary and Bactrian camels. I was about 3 1/2.
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I love actors.
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I've love the challenge of doing something new. Bollywood is magical.
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The difference between the almost right word and the right word is really a large matter - 'tis the difference between the lightning-bug and the lightning.
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There are ways in which you can make sure that even if people come to the theatre because they know an actor or actress, by the end, theyve forgotten that, and they leave going, Wow - what an amazing play.
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There's no difference between a pessimist who says, "Oh it's hopeless, so don't bother doing anything." and an optimist who says, "Don't bother doing anything, it's going to turn out fine anyways. Either way, nothing happens."
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What is it about actors? God knows I get bored with actors talking about themselves.
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I think actors make the mistake of finding their little niche in the business and once they try to do something a little darker, boom, they get slapped across the face for it, so they go back to what they did before.
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I'd love to perform with other actors and act with actors, true actors. I would like to be in a movie and have full room for acting.
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The thing is I have no ACL. So unless I get surgery, there's nothing really magical that I can do that's going to make it better. I just can get my leg stronger, my muscle stronger and try and support it a little more. But that has a small impact. My knee is loose, and it's not stable, and that's the way it's going to be from here on out.
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Between the optimist and the pessimist, the difference is droll. The optimist sees the doughnut; the pessimist the hole!
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I'm glad that I'm being acclaimed as an actor. Today, when my hard work has paid off I can chill out about it.
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The best thing an actor can be is ready. Be flexible, be ready.
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It seems to me that I never grow unless I'm actually working with other actors who have shed whatever shell it is that keeps them insulated from each other.
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Very occasionally I hire an actor and get it wrong. The actor just doesn't trust the process or me as fully as I thought they would. In this case, you can be quite sure that if an actor is untrusting, it's got nothing to do with me or the process.
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I trust that everything happens for a reason, even if we are not wise enough to see it.
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There's the instability of my attitude as an artist, the instability of our perception of the world, and the idea that with this mix, you never know exactly what's the point of view of the filmmaker. This breaks the stability of the belief that a filmmaker is somebody who has a logical relationship with his own material. These elements create this atmosphere that I find more interesting than a normal atmosphere, based only on the characters.
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Actors have a magical difference from other people.
