William Cullen Bryant Quotes
Quotes to Explore
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After leaving school, I travelled around Europe for about six months. In Denmark, I thought that was my chance to get an amazing haircut, so I went to what I thought was a great hairdresser. It turned out to be the car wash of hairdressers, and I walked out sporting yet another pudding bowl, but this time with a stripe bleached down the centre.
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People who live in glass houses... have to answer the door.
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When someone was hitting me, or like sexually molesting me, it just seemed normal to continue to do that to myself.
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Any time you end a relationship, and everyone has ended plenty in their life, it's always a tough thing and hard to get over.
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My career is chequered. Then I think I got pigeon-holed in humour; Shakespeare is not my thing.
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I don't want to hear about my death.
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To my child's eyes, which had seen nothing else, Shanghai was a waking dream where everything I could imagine had already been taken to its extreme.
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Dan Henderson, even when you're close and he hits you from very, very close, you can feel how heavy his hands are. His hands are pretty powerful.
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When I first started cooking, I was very much an intuitive cook when it came to taste, but that didn't mean I didn't want to know why some things worked and why others did not. My interest took me to culinary school.
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I have become an adjective. There is something called a Rovian-style of campaigning and it's meant as an insult. One columnist said it consists mainly of throwing mud until it sticks. One prominent blogger described the elements of a textbook Rovian race as fear-based, smear-based and anything goes.
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I love to eat. If I could eat everything in the world and still be healthy or wouldn't catch a heart attack or stroke, I'd eat everything. I just can't. So I got to watch my health and take care of my family.
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We must not be hampered by yesterday's myths in concentrating on today's needs.
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If I go to Singapore, I have friends there. If they came to Zambia, they'd feel the same way. I've made connections, and I have friends in many, many countries.
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I was under contract to Paramount. They wanted to make me into somebody which I was not. So I got so scared and rebelled, so they threw me out of the studio.
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History will treat me right.
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What I've discovered and really confirmed to myself is that opera really likes loud colours, and you need something bold, something savage, unpredictable, passionate. You can't really run a two-hour opera round some muted murmuring.
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Union can achieve everything when sustained by gallant hearts and correct principles, while anarchy and insubordination must fail in the achievement of every thing beneficial and glorious to mankind.
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Thinking will not overcome fear but action will.
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Is it two? Three? Leave a good tip, Imma blow all my money and don't give two shits.
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No hawk swooping down upon his prey, no stag improvising new detours by which to trick the huntsman, no dog scenting game from afar is comparable in speed to the celerity of a salesman when he gets wind a deal, to his skill in tripping up or forestalling a rival, and to the art with which he sniffs out and discovers a possible sale.
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By the general process of epic poetry, I mean the way this form of art has constantly responded to the profound needs of the society in which it was made.
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One of the disadvantages of poetry over popular music is that if you write a pop song, it naturally gets into people's heads as they listen in the car. You don't have to memorize a Paul Simon song; it's just in your head, and you can sing along. With a poem, you have to will yourself to memorize it.
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If you are ambitious of climbing up to the difficult, and in a manner inaccessible, summit of the Temple of Fame, your surest way is to leave on one hand the narrow path of Poetry, and follow the narrower track of Knight-Errantry, which in a trice may raise you to an imperial throne.
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Poetry is the eloquence of verse.
