Thomas Pablo Croquet (Thomas Mars) Quotes
It's hard to write new stuff when the songs you have written before are still changing and evolving. It would be like building something when the foundations there are not really solid.

Quotes to Explore
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Nothing external to you has any power over you.
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Weirdly, often the more I write, the more ideas I have.
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I believe, certainly in the NHL, a player who can help a team win because he can contribute on the ice is going to be coveted whatever his beliefs may be or whoever he may be. That goes to national origin, religious beliefs, or sexuality.
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I don't want to say anything because I know I am unable to protect you from the harm that I see.
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All of the characters in my films, they share one commonality. It doesn't matter whether they are good or bad, it doesn't matter whether they are smart or stupid, these characters all take responsibility for their own behavior. I'm much the same.
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You have to love what you do to want to do it everyday.
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People say that about me, that I apparently buy houses near every boy I like - that's a thing that I apparently do. If I like you I will apparently buy up the real-estate market just to freak you out so you leave me.
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I can get a better grasp of what is going on in the world from one good Washington dinner party than from all the background information NBC piles on my desk.
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In America, the stories we tell ourselves and we tell each other in fiction have to do with individualism. Every person here is the center of his or her own story. And our job as people and as characters is to find our own motivations and desires, to overcome conflicts and obstacles toward defining ourselves so that we grow and change.
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The very first thing I ever did, I was doing some work for the French Cultural Center. They wanted a little recording set up. And I got wire. A wire recorder. The wire came off spools, and to cut and edit, you tied it together in little square knots. Can you imagine?
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Global issues require common responses: Only together we can create the conditions to defeat Daesh and al Qaeda, block channels for terrorist financing, tackle foreign terrorist fighters.
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The thing I find really scary about ghosts and demons is that you don't really know what they are or where they are. They're not very well understood. You don't know what they want from you. So it's the kind of thing you don't even know how to defend yourself against. Anything that's unknown and mysterious is very scary.
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The sound of water is worth more than all the poets' words.
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Abuse is the means in which violence retards love.
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I keep pushing buttons and trying to grow as a person and as a filmmaker.
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All the things that are in the past are in the past.
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My childhood was great because my family has an amazing sense of humor, and it was just all making videos and jokes and doing skits and things.
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I'd studied English literature at university, but I was also far more enamored with Virginia Woolf, Katherine Mansfield, and James Joyce. That was my passion.
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I grew up in New York City. In elementary school, I was a charter member of the Scribble Scrabble Club, and in high school, my poems were published in an anthology of student poetry.
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'One More Summer' is one of those songs that I think will go over really well.
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Singing is a kind of sport and a singer a kind of athlete and following this model becoming "vocally fit" - building vocal muscles - should be the point of any form of voice teaching. Other approaches don't work directly on building vocal muscles but instead focus on so-called diaphragm support and breathing, mask singing, breath control, throat relaxation - all of which are useless at best and harmful at worst.
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Our songs hinge on dynamics — big, chaotic, crashing moments and soft, sensitive moments…Some songs have both, some one or the other. But a lot of them have both.
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People want to know why I do this, why I write such gross stuff. I like to tell them I have the heart of a small boy... and I keep it in a jar on my desk.
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It's hard to write new stuff when the songs you have written before are still changing and evolving. It would be like building something when the foundations there are not really solid.