Millicent Fawcett Quotes
Of the influence of Mr. Mill's personal character on those who were his political associates, it is difficult to speak too warmly.

Quotes to Explore
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These political movements flourish on the margins of Turkish society because of poverty and because of the people's feeling that they are not being represented.
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'I can't get no satisfaction,' in political terms, has haunted Hungarian politics for 20 years.
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My generation of bossy, confident, baby-boom women were something brand new in history. Our energy and assertiveness weren't created by Betty Friedan, unknown before her 1963 book, or by Gloria Steinem, whose political activism, as even the Lifetime profile admitted, did not begin until 1969.
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The political world is a dark place. If you want to portray it accurately, authentically, you've got to turn out the lights from time to time.
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The four cornerstones of character on which the structure of this nation was built are: Initiative, Imagination, Individuality and Independence.
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It just seemed like an unattainable dream to go down to Los Angeles and to land a professional working, acting gig on a show that you really love with a character you really connect with. That doesn't seem possible; that seems insane.
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I don't really know that I'm aware of a lot of the inspiration and influence that I'm under, because I didn't have an extensive musically educational upbringing.
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It's always been my dream to just continually do really cool indie movies, character-driven stuff. I would love to do more theater on a larger scale. I'm just excited for the next thing that comes along that I'm salivating over. I think a little more guerrilla would be really exciting to me.
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We live in a culture that's been hijacked by the management consultant ethos. We want everything boiled down to a Power Point slide. We want metrics and 'show me the numbers.' That runs counter to the immensely complex nature of so many social, economic and political problems. You cannot devise an algorithm to fix them.
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Punk's influence on music, movies, art, design and fashion is no longer in doubt. It is used as the measurement for what is cool.
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When I started off with Trainspotting, it was the way the characters came to me. That's how they sounded to me. It seemed pretentious to sound any other way. I wasn't making any kind of political statement.
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I want to make it to Heaven and be as good an influence on others as I can in that process.
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'Aladdin' was probably my favorite Disney animation when I was a kid. The animation was great and Robin Williams was unbelievable as the Genie. 'Aladdin' was an amazing adventure and the lead character was a hero for guys, which I loved. It wasn't a princess or a girl beating the odds; it was a street rat. That seemed really cool to me.
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Personally, I don't even read bummer news stories about the environment because it makes me feel helpless to fix anything and reminds me that the general population doesn't treat these issues as an important part of our political life.
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Each social formation, through each of its material activities, exerts its influence upon the civic whole; and each of its ideas and ideals wins also its place and power.
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The war on terror, if this is a war on terror, can only be won by a sincere regional and international cooperation. All have to believe they have something at stake and work together. In the absence of this it will become political and interest-oriented.
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I start out giving characters archetypes and parameters. Once I know the basics and have a rudimentary model, it's easier to carve unique curves and edges. It's quite easy to guess how a character is going to react if you know their background, and at a certain point, you realize you understand them personally.
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American influence is not what it used to be.
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I prefer to have longevity. I like as great a variety as possible, hopefully to avoid getting stuck in one kind of character, having to do it over and over again. I seek to challenge myself as an actor - and at the same time support my family.
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Business has to change the way it does business, or we will make no significant changes in the way we relate to the earth.
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On the grey rock of Cashel I suddenly saw A Sphinx with woman breast and lion paw, A Buddha, hand at rest, Hand lifted up that blest; And right between these two a girl at play That, it may be, had danced her life away.
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The manner in which life constructs itself must be dealing with some other principle which we've failed to identify.
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He who does not know how to look back at where he came from will never get to his destination.
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Of the influence of Mr. Mill's personal character on those who were his political associates, it is difficult to speak too warmly.