William Golding Quotes
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I really feel the novel has certain conveniences about it and has something so fundamental about it you could almost say that as long as there is paper, there is going to be the novel.
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Marx, Darwin and Freud are the three most crashing bores of the Western World. Simplistic popularization of their ideas has thrust our world into a mental straitjacket from which we can only escape by the most anarchic violence.
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Honestly, I haven't the time to read contemporary writers. I know this is awful, but in the main it is true.
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However you disguise novels, they are always biographies.
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Utopias are presented for our inspection as a critique of the human state. If they are to be treated as anything but trivial exercises of the imagination. I suggest there is a simple test we can apply. We must forget the whole paraphernalia of social description, demonstration, expostulation, approbation, condemnation. We have to say to ourselves, How would I myself live in this proposed society? How long would it be before I went stark staring mad?
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What could be safer than the bus center with its lamps and wheels?
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The world, that understandable and lawful world, was slipping away.
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Maybe, he said hesitantly, maybe there is a beast. The assembly cried out savagely and Ralph stood up in amazement. You, Simon? You believe in this? I don't know, said Simon. His heartbeats were choking him. [...] Ralph shouted. Hear him! He's got the conch! What I mean is . . . maybe it's only us. Nuts! That was from Piggy, shocked out of decorum.
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The greatest ideas are the simplest.
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An orotundity, which I define as Nobelitis a pomposity in which one is treated as representative of more than oneself by someone conscious of representing more than himself.
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Life's scientific, but we don't know, do we? Not certainly, I mean.
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As soon as Oliver Twist is serialized, people who would never dream of reading [Charles] Dickens, if they hadn't seen him on their box, buy the paperback.
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If I blow the conch and they don't come back; then we've had it. We shan't keep the fire going. We'll be like animals. We'll never be rescued." "If you don't blow, we'll soon be animals anyway.
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The Navy's a very gentlemanly business. You fire at the horizon to sink a ship and then you pull people out of the water and say, 'Frightfully sorry, old chap.'
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Graham Greene at 82 years old was still writing, and I don't think anyone can deny the force, the expertise, and the unique quality of his writing, if you take his complete oeuvre.
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Sleep is when all the unsorted stuff comes flying out as from a dustbin upset in a high wind.
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Before the Second World War I believed in the perfectibility of social man; that a correct structure of society would produce goodwill; and that therefore you could remove all social ills by a reorganisation of society. .... but after the war I did not because I was unable to. I had discovered what one man could do to another... I must say that anyone who moved through those years without understanding that man produces evil as a bee produces honey, must have been blind or wrong in the head...
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There were no words, and no movements but the tearing of teeth and claws.
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I don't think they [contemporary writers] read me either. I mean, if we're concerned genuinely with writing, I think we probably get on with our work.
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Life should serve up its feast of experience in a series of courses.
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I have a confession to make. The love affair of my life has been with the Greek language. I have now reached the age when it has occurred to me that I may have read some books for the last time. I suddenly thought that there are books I cannot bear not to read again before I die. One that stands out a mile is Homer's Iliad.
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To be in a world which is a hell, to be of that world and neither to believe in or guess at anything but that world is not merely hell but the only possible damnation: the act of a man damning himself. It may be
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Even if you got rid of paper, you would still have story-tellers. In fact, you had the story-tellers before you had the paper.
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Experimental novels are sometimes terribly clever and very seldom read. But the story that appeals to the child sitting on your knee is the one that satisfies the curiosity we all have about what happened then, and then, and then. This is the final restriction put on the technique of telling a story. A basic thing called story is built into the human condition. It's what we are; it's something to which we react.