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One tries to tell a truth, and one hopes that the truth has a general application rather than just a specific one.
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Are we savages or what?
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I wouldn't have thought that the techniques of story-telling, which is what the novel is after all, can vary much because there are two things involved.There's a story and there's a listener, whose attention you have to keep. Now the only way in which you can keep a reader's attention to a story is in his wanting to know what is going to happen next. This puts a fairly close restriction on the method you must use.
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the conch exploded into a thousand white fragments and ceased to exist.
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I am here; and here is nowhere in particular.
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Couldn't a fire outrun a galloping horse?
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Maybe half a dozen think they are a community, but, in general terms, I think English writers tend to face outwards, away from each other, and write in their own patch, as it were.
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It is at least scientifically respectable to postulate that at the centre of a black hole the laws of nature no longer apply. Since most scientists are just a bit religious and most religious are seldom wholly unscientific we find humanity in a comical position. His scientific intellect believes in the possibility of miracles inside a black hole while his religious intellect believes in them outside it.
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I also know Patrick White in Australia, both personally and as a writer, and Salman Rushdie in India.
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Novelists do not write as birds sing, by the push of nature. It is part of the job that there should be much routine and some daily stuff on the level of carpentry.
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He found himself understanding the wearisomeness of this life,where every path was an improvisation and a considerable part of one's waking life was spent watching one's feet.
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I'm not a critic so much of my own writing. People must make up their own minds over that.
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Roger stooped, picked up a stone, aimed and threw it at Henry-threw it to miss. The stone, that token of preposterous time, bounced five yards to Henry's right and fell in the water. Roger gathered a handful of stones and began to throw them. Yet there was a space round Henry, perhaps six yards in diameter, into which he dare not throw. Here, invisible yet strong, was the taboo of the old life. Round the squatting child was the protection of parents and school and policemen and the law. Roger was conditioned by a civilization that knew nothing of him and was in ruins.
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I suppose drama can either take the place of a novel or can be very closely allied with it. It's quite customary to turn a successful novel into a film or a television series because you can dramatize and pictorialize a novel.
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Which is better, law and rescue, or hunting and breaking things up?
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The beast was harmless and horrible; and the news must reach the others as soon as possible.
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Language fits over experience like a straight-jacket.
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Serve you right if something did get you, you useless lot of cry-babies!
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The novel is very much alive, indeed. In Toronto at the Sixth Annual International Festival of Authors (October 1985) I listened to novelists by the dozen.
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Philosophy and Religion-what are they when the wind blows and the water gets up in lumps?