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We're not savages. We're English.
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Biography always has fulfiled this role. Robinson Crusoe is a biography, as is Tom Jones. You can go through the whole range of the novel, and you will find it is biography. The only difference between one example and the other is that sometimes it's a partial biography and sometimes it's a total biography. Clarissa, for example, is a partial biography of Clarissa and a partial biography of Lovelace. In other words, it doesn't follow Lovelace from when he is in the cradle, though it takes him to the grave.
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Malcolm Bradbury made the point, and I don't know whether it's a valid one or not, that the real English at the moment is not the English spoken in England or in America or even in Canada or Australia or New Zealand. The real English is the English which is a second language, so that it's rather like Latin in the days of the Roman Empire when people had their own languages, but had Latin in order to communicate.
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I will tell you what man is. He is a freak, an ejected foetus robbed of his natural development, thrown out into the world with a naked covering of parchment, with too little room for his teeth and a soft bulging skull like a bubble. But nature stirs a pudding there.
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He doesn't mind if he dies... indeed, he would like to die; but yet he fears to fall. He would welcome a long sleep; but not at the price of falling to it.
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While I am on, I can discipline myself to that extent. When I am off, I can't discipline myself at all. On the other hand, when I am off, there are so many things I like doing, it doesn't really matter.
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Only one novel is a novel: that is a successful novel.
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There is, they say, no fool like an old fool.
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Simon became inarticulate in his effort to express mankind's essential illness.
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I mean, if we're concerned genuinely with writing, I think we probably get on with our work. I think this is very true of English writers, but perhaps not so true of French writers, who seem to read each other passionately, extensively, and endlessly, and who then talk about it to each other - which is splendid.
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When you take a child who's hollering like hell, sit him on your knee, and say "once upon a time", you stop him hollering. As long as you go on telling him a story, he will listen. Novelists who neglect this fundamental effect do so at their peril. They become what is known as the experimental novelist, and an experimental novel is not really a novel at all.
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Art is partly communication, but only partly. The rest is discovery.
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I am astonished at the ease with which uninformed persons come to a settled, a passionate opinion when they have no grounds for judgment.
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You have the older generation like Iris Murdoch and Angus Wilson who are not as old as Graham Greene, but still are coming on. I dare say anyone who knew the scene better than I know it could fill it in with a very satisfactory supply of novels.
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At the moment of vision, the eyes see nothing.
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Put simply the novel stands between us and the hardening concept of statistical man. There is no other medium in which we can live for so long and so intimately with a character. That is the service a novel renders.
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I do think that art that doesn't communicate is useless.
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The rules!" shouted Ralph, "you're breaking the rules!" "Who cares?
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I began to see what people were capable of doing. Anyone who moved through those years without understanding that man produces evil as a bee produces honey, must have been blind or wrong in the head.
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If faces were different when lit from above or below -- what was a face? What was anything?
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It wasn't until I was 37 that I grasped the great truth that you've got to write your own books and nobody else's, and then everything followed from there.
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And I've been wearing specs since I was three.
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The man who tells the tale if he has a tale worth telling will know exactly what he is about and this business of the artist as a sort of starry-eyed inspired creature, dancing along, with his feet two or three feet above the surface of the earth, not really knowing what sort of prints he's leaving behind him, is nothing like the truth.
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The candle-buds opened their wide white flowers....Their scent spilled out into the air and took possession of the island.