William Graham Sumner Quotes
Quotes to Explore
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We are skinny; this is our work. There are lots of overweight people working in offices, but I'm not going to say, 'This girl is fat; she can't work in an office.'
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I got a note from my father, who said that Success is wonderful, if you don't inhale. That was his own aphorism, and I think it's the very best thing he could have said to me or anyone else on the subject.
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All I did my first year at Vogue was Xerox.
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I lose film roles because I'm a person who doesn't keep quiet about certain things. But if my heart tells me something is wrong, I'm going to go and do something about it.
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I was king of the mountain for a long time, well, I don't want that no more. I like to perform every once in a while for people who want to see me, and cut albums of music that is what I'm really about.
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Interior design is a business of trust.
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Directing is so interesting. You know, it just sort of encompasses everything that you see, that you know, that you've felt, that you have observed.
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I'm not shy about trying to find what truth there is in any genre, whether that be an action piece, a sci-fi piece, a small indie film, or a play. I'm open to it all.
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I was never that famous, but I do think going to college and really getting away from the business and taking a true break is incredibly, incredibly important if you start acting at a young age.
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When you work in such a surreal environment as movies, just listening to some tunes or hanging out with friends is what you crave. Even time alone.
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For me, playwriting is and has always been like making a chair. Your concerns are balance, form, timing, lights, space, music. If you don't have these essentials, you might as well be writing a theoretical essay, not a play.
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I think back to the 1990s, when I joined the Army, and all those peacetime years that we had, thinking, 'Will we ever go into combat?'
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Ultimately, literature is nothing but carpentry. With both you are working with reality, a material just as hard as wood.
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I would love to direct - or try my hand at it, anyway.
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Enable every woman who can work to take her place on the labour front, under the principle of equal pay for equal work.
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If there's no fire, there's no scream. If there's no scream, then no one hears you and no one comes to help you in the first place. The depth of my struggle has definitely determined the height of my success. To be able to teach my kids not just about success but about the struggle that comes with it.
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That's sort of what we wanted to do: conquer from the margins, sort of find our place in the middle based on the fact that we were creatures of the margin and of alienation.
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Power confuses itself with virtue and tends also to take itself for omnipotence.
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Slow and steady wins the race.
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There is a quite a lot of effort involved but I find action sequences some of the quickest to write and the most fun.
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Chicago has a burly, action-oriented but still self-assured and relaxed confidence to its stride. The city has a lot of wide-open space and all the possibilities that suggests. There's a lot of horizontal grandeur here.
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Polygraphs have sparked a fierce debate for at least a century.
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Hunger, love, vanity, and fear. There are four great motives of human action.
