-
When the ACLU took my case and we got a ruling I think, for the first time, they could - the Congress could put out the report internally but they couldn't put it out at taxpayers' expense around the country. And I felt odd about that because I, in a way, I was interfering with free speech, but then, you can't always win.
Nat Hentoff -
The media has been very bad about informing us about what is going on. They focus on surface things. They do not focus enough on the fact that the Fourth Amendment is on life support and that we need a return to transparency in government.
Nat Hentoff
-
I found out - the paper used to go to bed on Tues - on Monday. I found out that on Monday nights, the editors would cut out - literally cut out passages, sometimes whole paragraphs, of some of the writers that might possibly offend blacks, lesbians, gays, radicals. And I wrote a couple of columns about that. And they're - of course, they were annoyed that I had written about it, but, I mean, it - another example - and my wife Margot always also conjured that.
Nat Hentoff -
I was very much against the Vietnam War, and Max Askeli was visiting Lyndon Johnson in the White House cheering him on, writing editorials. And in The Voice one day I once referred to him as Commander Askeli. And I called in to The Reporter to go over the galleys of a music piece I had written, and the editor whispered to me, `It's not gonna run. You're not gonna run. Max Askeli has fired you because of what you said about him.'
Nat Hentoff -
Bill Clinton was the man, as a matter of fact, who, in terms of the Communications Decency Act, which would have made the Internet, the whole concept of cyberspace, vulnerable to rampant censorship - he pushed that bill, and I know the man in the Justice Department whom he persuaded - the guy didn't want to lose his job - to write the bill.
Nat Hentoff -
Those who created this country chose freedom. With all of its dangers. And do you know the riskiest part of that choice they made? They actually believed that we could be trusted to make up our own minds in the whirl of differing ideas. That we could be trusted to remain free, even when there were very, very seductive voices - taking advantage of our freedom of speech - who were trying to turn this country into the kind of place where the government could tell you what you can and cannot do.
Nat Hentoff -
The main jobs would be The New Yorker, The Village Voice, The Washington Post and - I'm thinking of The Reporter when Max Askeli was there, but I got fired from The Reporter.
Nat Hentoff -
If the American people have their health care paid for by the government, depending on their age and their condition, they will be subject to a health commission just like in England which will decide if their lives are worth living much longer.
Nat Hentoff
-
Lilian Ross was a - veteran writer for The New Yorker. She, in fact, brought me to The New Yorker many years ago.
Nat Hentoff -
I had written a book called "Boston Boy" some years ago, and that took me from the time I could speak, I guess, in Boston through the time when I finally left to come to New York. That book had a number of sort of rites of passage for me.
Nat Hentoff -
Martin Williams persistently gets at essences, and that is why he has contributed so much to the very small body of authentic jazz criticism.
Nat Hentoff -
At the time there was a hospital strike in New York and the Catholic hospitals were part of a general consortium, and the head of the consortium had decided that they were finally going to replace some of the striking workers. And I hear John O'Connor yelling, `Over my dead body will you replace any of those workers! They have a right to strike.' So I figured, `This is interesting.'
Nat Hentoff -
After Bill Shawn was fired, I was going to the YMHA Young Men's Hebrew Association on the Upper East Side to do a talk on free speech.I went into a coffee shop to get a piece of pie and a coffee, and I was reading a paper and I hear a voice. And it was -it was not a voice I was familiar with, but I looked across the table and I saw Lilian Ross.And sitting next to her was William Shawn - no tie, needed a shave. His voice was kind of coarse and rather loud. He wasn't drunk, but I was just stunned.
Nat Hentoff -
William Shawn took over The Voice and tried to turn it into New York Magazine - very glitzy covers that promised practically nothing in terms of what was inside, very rushed paper anymore. You - not very contemplative, thoughtful or whatever.
Nat Hentoff
-
Sandra Day O'Connor - once she said that there are - there were no public schools in America until the 18th century, and she overlooked my alma mater because we started - I say we - in 1635. And among the people who went there - and they're on - the walls in the auditorium, the names are: Ralph Waldo Emerson and Cotton Mather, Benjamin Franklin, except he split when he was 10 years old to go to work.
Nat Hentoff -
I've I call Cardinal John O'Connor from time to time and he calls me. And when I think there's something he ought to think about doing, I call him and he usually does it.
Nat Hentoff -
A woman in the audience asked Barack Obama about her mother. Her mother was 101 years old and was in need of a certain kind of procedure. Her doctor didn't want to do it because of her age. However, another doctor did and told this woman there is a joy of life in this person. The woman asked President Obama how he would deal with this sort of thing, and Obama said we cannot consider the joy of life in this situation. He said I would advise her to take a pain killer. That is the essence of the President of the United States.
Nat Hentoff -
Here is a guy who's supposed to be the Genghis Khan of the church, the pro-choice people hate him, and I don't know about his labor background so I figured there must be more to him, and there is. I wrote a book about John Cardinal O'Connor.
Nat Hentoff -
Barack Obama has little, if any, principles except to aggrandize and make himself more and more important.
Nat Hentoff -
Clay Felker was then - he had - to his credit, he had created New York Magazine, which was the first of the city magazines that covered the city and gave all kinds of advice and all that sort of stuff. And there were copies all over the country by the time he left. He had, however, a view of journalism that was very much, I must say, like Tina Brown's at The New Yorker. You hit 'em hard, fast, give 'em something to talk about the day after the paper comes out, as contrasted with William Shawn, who gave them something to talk about two or three years from then.
Nat Hentoff
-
We are going to have a long period where people are accustomed or conditioned to what's going on now with the raping of the Fourth Amendment.
Nat Hentoff -
I guess you'd say, including the - what I just spoke about, the learning that liberalism isn't quite as liberal as it pretends to be.
Nat Hentoff -
Madness happened so frequently. I think what I was most maddest about - and it's in the book Speaking Freely: A Memoir - when the House and the Senate, back in 1984, were debating a bill that would - at least delay and maybe stop some of the ex - summary execution of disabled children - infants. And the Down syndrome kids and other kids had been, in some cases, routinely let die, to use the euphemism.
Nat Hentoff -
A particular moment - and I'm not, to this day, quite sure how I feel about it - I had always wanted to be in the law books - you know, Hentoff vs. something or other.
Nat Hentoff