William James Quotes
Quotes to Explore
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People tell you you're having chemotherapy, but there are different types of chemotherapy, and you don't know which one you're going to get and how it's going to affect you. The people in the hospitals don't always have time to help you understand it.
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The period from 2002 to 2007 was probably our best period. We created a strategy to build global scale, footprints in each of the geographies and dramatically built our international business.
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I love being a performer. It's like a hole that never closes. It's something in you that never dies.
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I have a great support network - my family, my model agency Storm, and people I work with in the fashion industry. And, of course, there are all my followers on Twitter who stop me from feeling lonely; I love them all. They keep me grounded.
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Cryptocurrencies in general give us a stable medium through which we can communicate our information about values and prices in a way that no government mandarin can distort or usurp. For the predators who have used our central institutions to predate on the rest of humanity, it's a very bad development.
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The survival of artistic modes in which we recognize ourselves, identify ourselves and place ourselves will survive as long as humanity survives.
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The chemotherapy was very peculiar, something that makes you feel much worse than the cancer itself, a very nasty thing. I used to go to treatment on my own, and nearly everybody else was with somebody. I wouldn't have liked that. Why would you want to make anybody sit in those places?
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I miss baseball.
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My first job was with an auto plant, Kansas City - they treated you like slaves. From there I went back to Chicago, worked in steel mills, drove a cab, stuff like that.
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My uncle was the first brown person to have a market stall on Petticoat Lane in the 1960s. He worked his way up from the street. He was homeless, but eventually he got a car so he could sell from the boot. And by the 1980s, he was a millionaire wholesaling to companies like Topshop. So in a way, fashion put me in England.
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The gruesomeness of 'Death Line' was an absolute necessity for me to bring up the political content of the film. I wanted to show how devastating class distinction could be.
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Because art as a pursuit, as a concept, as an ideal, constantly elevates one above the pragmatic, one is inclined to discuss art in heightened terminologies. For me, it is just what I do all day long.
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The thing about being black and having a different accent, in the beginning, is that it makes you foreign.
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I went through my entire athletic life as a basketball player with only minimal physical setbacks, the worst being a couple of brain concussions, one in a college game in 1948, the other in 1954 while playing in the Eastern League, from which I recovered without permanent damage.
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I remember looking back on a photo of me... wearing a suit that was, like, two sizes too big for me. I think a lot of guys don't know what fits.
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I lived with a German family. I learned about schnitzel from Ritta Seiffer. When she cooked she'd get the oil really hot so that it sealed everything and in the middle was very juicy. That's the secret to a great schnitzel.
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I try to play serious scenes a little funny and the comedy a little serious.
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In India, nobody really talks about works of art; they always talk about the appreciation of art. You buy this for 3,000 rupees, it'll become 30,000 in two months.
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But what is after all the happiness of mere power? There is a greater happiness possible than to be lord of heaven and earth; that is the happiness of being truly loved.
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I have the physique a lot of people dream about having. It's my obligation to share it with the world.
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I saw this trend happening with the proliferation of guitar clinics and schools. And I was approached to do a camp in the past, but I wanted to have a good enough idea because most of them are just about jamming and learning. I decided I wanted a theme for each camp.
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History is full of the dead weight of things which have escaped the control of the mind, yet drive man on with a blind force.
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From the small clubs of the Harlem Renaissance where he began playing saxophone to world tours for the biggest of the big bands, Benny Carter redefined American jazz. From the start, his fellow musicians said the way he played the sax was amazing. They say that about me, too. (Laughter.) But I don't think they mean it in quite the same way.
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Impulse without reason is enough, and reason without impulse is a poor makeshift.
