Miranda Rae Mayo Quotes
Quotes to Explore
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I was always told at school that you had to have a back-up plan, but all I ever wanted to do was act. There was no plan B for me.
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I didn't have children, but I never wanted children.
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I want to make it clear that I honestly answered every question put to me during the so-called Iran-Contra hearings. But if they didn't ask me about something, I wasn't about to reveal things that would put other people in jeopardy.
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Out of all the clubs who were interested, I got the feeling that, deep down, Chelsea showed that they really wanted me. There were lots of reasons I came to Chelsea. They showed a real desire to get me to come here. I didn't have to think about it too much.
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I wanted to make Canadian films, and I ended up making American films.
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The '70s were a time of turmoil and turnover. But I grew up here. I always wanted to play here.
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Honestly, are we ever going to get over 'California Girls' by Katy Perry? I know it's old, but that song - I love that song!
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I've never wanted to be the boss.
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I wanted to shred, so I learned classical guitar.
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It's been a transformative period and I really wanted to make music from what I've experienced.
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No, I haven't asked for a guy's number, but I've always wanted to.
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I read that book, 'Lonesome Dove,' and I told my agent that they were gonna make a miniseries out of it and I wanted to be in it. I didn't care what part.
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I became what I wanted to be.
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My dad farmed, my granddad was a farmer. I wanted to be a farmer.
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I was really into my studies and wanted to be a doctor.
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Yeah, they let me do whatever I wanted to.
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I can't honestly account for the very personal response that I have to one story and not another, a sense of an orbit, the orbit of a world that draws me as my own life recedes.
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Musically, I always wanted to experiment.
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I definitely don't take any of intrusions in my private life personally. You learn how to have a sense of humor pretty quickly. I honestly don't keep up on it unless it's something that would hurt someone else. I can take care of myself, that's not the problem. But it's just not fair to bring anyone else into the picture.
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In my mind, the sexiest thing in the world is the feeling that you’re wanted.
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I'm pretty much a dinosaur in the studio. I like things hand-drawn, even today. The story artists use Cintiqs, but I'm the only person who hasn't completely converted to computers. I like the Cintiq, but there's something about the raw emotional power of using paper and pencil.
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Recreating the experience of, say, bereavement in my own head is pretty rough. I was used to switching off from emotions every day of my working life as a journalist, but in fiction, you have to feel it 100%, or else it's a flat experience for the reader.
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I honestly didn't know that I wanted to act until I was probably 12.
