Stephanie Young Hwang (Tiffany Young) Quotes
I think the real exciting part about becoming a solo artist is that you get to really decide on what your new sound and what your new message will be.
Quotes to Explore
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I always dreamed of being Maria in The Sound of Music.
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I always knew would be some sort of artist, but didn't know what.
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I see a curator as a catalyst, generator and motivator - a sparring partner, accompanying the artist while they build a show, and a bridge builder, creating a bridge to the public.
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I want to work with producers who are unique and have a different sound.
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I do think you get lonelier and lonelier being an artist as you get older.
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No genuinely avant-garde artist should ever be on the government dole.
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Where I come from, if you weren't a drag queen or a radical thinker or a performance artist of some kind, you were the weirdo.
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The mere drawing and painting world of the pattern designer and the applied artist must become a world that builds again.
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Gucci Mane is my favorite artist.
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Just as theater has to be where people live, actors have to go out in the marketplace - not be cut off by a lens. Either an artist grows or he stagnates.
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Mix CDs are interesting. I'm known more for my artist albums and less for my mix CDs.
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I love the sound of Elmore James, the sound early guitarists like him got just by using minimal means.
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I try to find 15 minutes a day to just be alone without any distractions just for headspace to meditate and get my Zen on. I think that helps me get through the hecticness of the day on tour with the interviews, the sound check, the meet and greets, the show and the post-show meet and greets.
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A real New Yorker likes the sound of a garbage truck in the morning.
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Our communications reflect in our countenance. Therefore, we must be careful not only what we communicate, but also how we do so. Souls can be strengthened or shattered by the message and the manner in which we communicate.
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This may sound mad, but you sort of assume that no one's going to watch what you do. You go on set, have a lovely time, and then you forget anyone's going to see it. So it's always a bit of a shock to be recognized. I get terribly embarrassed.
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When it turns out that you were supposed to be disclosing all these foreign government donations to the Clinton Global Initiative while you were Secretary of State, and you didn't, and now the Clinton Global Initiative is having to restate their 990s, that doesn't sound very trustworthy to me.
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I'm not an artist that has a big, huge radio record that's going to be on BET.
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The roots of rap are originally ghetto-ised or extremely working class. So when you're an artist who's making something which isn't how its mainstream appearance should be, there's always these strange questions of authenticity and what you have to do to be 'real' as a rapper.
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Songs like Reach and S Club Party are pop classics. I'm really proud that I had a part in them.
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A man who has spent most of his adult life trying out a series of patent medicines is always an optimist.
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I think the real exciting part about becoming a solo artist is that you get to really decide on what your new sound and what your new message will be.
