Stephanie Young Hwang (Tiffany Young) Quotes
I think the real exciting part about becoming a solo artist is that you get to really decide on what your new sound and what your new message will be.
Quotes to Explore
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I always dreamed of being Maria in The Sound of Music.
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I see a curator as a catalyst, generator and motivator - a sparring partner, accompanying the artist while they build a show, and a bridge builder, creating a bridge to the public.
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I do think you get lonelier and lonelier being an artist as you get older.
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No genuinely avant-garde artist should ever be on the government dole.
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Where I come from, if you weren't a drag queen or a radical thinker or a performance artist of some kind, you were the weirdo.
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The mere drawing and painting world of the pattern designer and the applied artist must become a world that builds again.
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Gucci Mane is my favorite artist.
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Just as theater has to be where people live, actors have to go out in the marketplace - not be cut off by a lens. Either an artist grows or he stagnates.
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I love the sound of Elmore James, the sound early guitarists like him got just by using minimal means.
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I try to find 15 minutes a day to just be alone without any distractions just for headspace to meditate and get my Zen on. I think that helps me get through the hecticness of the day on tour with the interviews, the sound check, the meet and greets, the show and the post-show meet and greets.
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A real New Yorker likes the sound of a garbage truck in the morning.
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Our communications reflect in our countenance. Therefore, we must be careful not only what we communicate, but also how we do so. Souls can be strengthened or shattered by the message and the manner in which we communicate.
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This may sound mad, but you sort of assume that no one's going to watch what you do. You go on set, have a lovely time, and then you forget anyone's going to see it. So it's always a bit of a shock to be recognized. I get terribly embarrassed.
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When it turns out that you were supposed to be disclosing all these foreign government donations to the Clinton Global Initiative while you were Secretary of State, and you didn't, and now the Clinton Global Initiative is having to restate their 990s, that doesn't sound very trustworthy to me.
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I'm not an artist that has a big, huge radio record that's going to be on BET.
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The roots of rap are originally ghetto-ised or extremely working class. So when you're an artist who's making something which isn't how its mainstream appearance should be, there's always these strange questions of authenticity and what you have to do to be 'real' as a rapper.
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It's like I'm basically an artist. I'm no different from a painter who sits there and loves what he does.
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Every artist is an artist, and every heartbeat is a heartbeat.
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A scholar's business is to add to what is known. That is all. But it is capable of giving the very greatest satisfaction, because knowledge is good. It does not have to look good or even sound good or even do good. It is good just by being knowledge. And the only thing that makes it knowledge is that it is true. You can't have too much of it and there is no little too little to be worth having. There is truth and falsehood in a comma.
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I'd love to be a voice in 'Toy Story 4.'
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I never saw a pyramid, but I've seen photographs; I know what a pyramid or a sphinx looks like. There are pictures that do that, but they satisfy a different kind of interest.
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As a young child, I suffered from poor health. My parents encouraged me to swim, which really improved my condition.
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I think the real exciting part about becoming a solo artist is that you get to really decide on what your new sound and what your new message will be.
