Miriam Makeba (Mama Africa) Quotes
Quotes to Explore
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I kind of lost interest in school. I was never really that interested anyway. I was never academic. I didn't really go to school as much as I should have.
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For every reason it's not possible, there are hundreds of people who have faced the same circumstances and succeeded.
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I really appreciate people like Rosie coming out and saying I've inspired them.
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I just have always felt that I think we know that it's an ensemble show, and it's very hard to pick a show to submit when you're nominated, because usually everyone has a very strong part in every episode.
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Chicago is one city. We shall work as one people for our common good and our common goals.
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As an actor, you don't want to play a one-dimensional character.
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I started traveling by myself as early as 5 to see my dad. I'd go to Toronto or Los Angeles, depending on what show he was doing, but most often New York, and we would hang out, and he'd take me to museums and Broadway plays. The ones that had the biggest impact on me were the George C. Wolfe productions.
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As goes California, so goes the rest of the nation.
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Stuxnet, a computer worm reportedly developed by the United States and Israel that destroyed Iranian nuclear centrifuges in attacks in 2009 and 2010, is often cited as the most dramatic use of a cyber weapon.
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I've always been working just to be a world champion and it's a dream come true.
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People don't know that there were very successful black businessmen in the years of apartheid.
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The main thing that you have to remember on this journey is, just be nice to everyone and always smile.
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I'm anti-cheese in a salad.
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Wisdom is, I suppose, the right use of knowledge. To know is not to be wise. Many men know a great deal, and are all the greater fools for it. There is no fool so great a fool as a knowing fool. But to know how to use knowledge is to have wisdom.
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The world always seems brighter when you've just made something that wasn't there before.
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When you stop to realize that Abraham Lincoln was probably never seen by more than 400 people in a single evening, and that I can enter over 40 million homes in a single evening due to the power of television, you have to admit the situation is not normal.
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I'll get in that habit of throwing the ball over the plate too much. You want to keep it going, get those guys back into the dugout. But it's not a good thing when you're over more than a third of the plate.
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I don't have the freaking energy to write a memo. I'm out there saving lives.
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When I was six years old, I fell in love with magic. For Christmas, I got a magic box and a very old book on card manipulation. Somehow, I was more interested in pure manipulation than in all the silly little tricks in the box.
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One of the maddening things about being a foreigner in France is that hardly anyone in the rest of the world knows what's really happening here. They think Paris is a socialist museum where people are exceptionally good at eating small bits of chocolate and tying scarves.
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Obviously I try to make the best music that I can, but after about two years of making an album, you start to worry: 'Is it going to come out all right? Is it all going to sound churned out?'
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Music lets me forget bad experiences. You cannot keep ragas and regrets in your mind together.
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I would eventually leave the business in 1999 to work full-time as a writer, but during the previous decade, I would advise French businessmen on how to succeed in Germany; tell Americans what to do in Eastern Europe; show the Spanish how to become more like the Americans. I spent one particularly haunting year advising bankers in Mexico.
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African music, though very old, is always being rediscovered in the West.
