Alanis Obomsawin Quotes
Racism and prejudice exist there at the National Film Board like anywhere else. My history at the Board has not been easy. It's been a long walk.
Quotes to Explore
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To get a film in Cannes is a real honor. To have it play and not get booed is a real relief.
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But the process of making a film is not glamorous. Certainly not my films.
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That's what film can do in a way that TV and other long-form storytelling can't. It gives you this very immersive moment.
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Redlining went beyond FHA-backed loans and spread to the entire mortgage industry, which was already rife with racism, excluding black people from most legitimate means of obtaining a mortgage.
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The film depends on the audience's belief in this relationship.
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My boy cousins used to sit my older brother and me down and take us through a film-studies course. It included 'Tremors', 'The Goonies', and, of course, 'Star Wars'. That was when it began: sitting cross-legged watching as the opening crawl goes up the screen.
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I make sure that whatever film I do, I enjoy my role.
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I've only used my own voice about four times on film.
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I love moments in film where there's no dialogue, and somebody communicates something with a look that kills you. That's why I love going to the cinema.
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We must confront our own racism. Discriminatory housing and employment policies are nothing more than institutionalised racism.
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My generation of Americans was the first to really care about racism and sexism, not to mention the I Ching, plus, of course, the Earth.
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I love film. I've always been enchanted by doing film. It's something I grew up watching - classics and directors I admire - so that's something I've always been passionate about.
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I've seen people glaze over when they're confronted with racism, and there's nothing more, you know, damning and demeaning to having any kind of ideology than people just walking the walk and saying what they're supposed to say and nodding, and nobody feels anything.
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Beautiful film music can be made relevant to any period.
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The norm is white, apparently, in the view of people who see things in that way. For them, the only reason you would introduce a black character is to introduce this kind of abnormality. Usually, it's because you're telling a story about racism or at least about race.
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I've done a lot of TV, but not film.
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To me the earth's most explosive and pernicious evil is racism, the inability of God's creatures to live as One, especially in the Western world.
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If someone had told us in 1945 that in our lifetime religious wars would rage on virtually every continent, that thousands of children would once again be dying of starvation, we would not have believed it. Or that racism and fanaticism would flourish once again, we would not have believed it.
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What very often happens when people make films about rich people, the camera is quite mesmerised by the opulence and quite theatrical in fact.
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I haven't come across any recent new ideas in film that strike me as being particularly important and that have to do with form. I think that a preoccupation with originality of form is more or less a fruitless thing. A truly original person with a truly original mind will not be able to function in the old form and will simply do something different. Others had much better think of the form as being some sort of classical tradition and try to work within it.
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Generally I just pick music that I like. That's the part I really enjoy: When I get permission for the songs I want and put them into the scenes. It's always hard when you're doing a low-budget film, so it's great when you can get all the music you want to get.
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Television is something the Russians invented to destroy American education.
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Racism and prejudice exist there at the National Film Board like anywhere else. My history at the Board has not been easy. It's been a long walk.
