Vincent D'Onofrio Quotes
I am a method actor, but I'm also a film actor as well as a method actor. Characters that don't have humility, whether they are heroes or villains, are hard to relate to. All characters in every aspect of what we do should have humility. If they don't, then they're a cartoon character.
Quotes to Explore
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But the process of making a film is not glamorous. Certainly not my films.
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They say it is the first step that costs the effort. I do not find it so. I am sure I could write unlimited 'first chapters'. I have indeed written many.
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With Altman, he does discuss everything with you, but then leaves you to it and gives you full rein and lets you improvise and create a character while the camera is rolling.
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I am a big Pink Floyd fan. That is where a lot of the concept lyrics come from.
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I'm a wonderful editor. That's what I do best. I know exactly what I want. If I have to decide whether to wear the red dress or the blue dress or what should I have said, I am constantly changing my mind.
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I am disillusioned enough to know that no man's opinion on any subject is worth a damn unless backed up with enough genuine information to make him really know what he's talking about.
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My own writing has perhaps more of an American flavor than a British one, but that's because the stories I've so far written have needed it. 'Empire State,' 'Seven Wonders' and 'The Age Atomic' are all very place-centric, where the setting itself is almost a character. But there is a universality to story that isn't just limited to science fiction.
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I am not influenced by the techniques or fashions of any other motion picture company.
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I am trying to do comedy on every single medium. I consider myself a public servant.
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Nowadays, you can be a fan of someone that's not an actor or artist. You can be a fan of someone that makes YouTube videos.
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Film has always been a really good tool for me to communicate emotion about why I create a collection. I'm probably one of the first designers to make short films.
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Ethics are not necessarily to do with being law-abiding. I am very interested in the moral path, doing the right thing.
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I play tons of authority figures, whether it's the dad or the cop or the boss. I think it's a combination of how I look, who I am.
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I mean, I'm an actor. I do what comes along.
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You have to understand that you are not making the film for yourself; you're making it for the audience. If I am asking my audiences to buy tickets, I owe them the worth of their money, and I owe them entertainment.
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The film depends on the audience's belief in this relationship.
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You know, I'm from the South, and I wasn't interested in perpetuating a stereotypical southern character.
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I'm not saying that in order to be a great jazz musician you have to be a great classical pianist first. But I am saying that it makes things easier when you can get around the instrument, and you have some idea of how to approach the various hurdles.
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The reason my films work is because every actor on set is very secure. They're able to fly.
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Are we lost, or are we found at last? On earth we strive for our various needs, because so goes the fundamental law of man. Aloft, at least for a little while, the needs disappear. Likewise the striving. In the thoughts of man aloft, food and evil become mixed and sometimes reversed. This is the open door to wisdom. Aloft, the earth is ancient and man is young, regardless of his numbers, for there, aloft he may reaffirm his suspicions that he may not be so very much. This is the gateway to humility.
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One of the strangest features of string theory is that it requires more than the three spatial dimensions that we see directly in the world around us. That sounds like science fiction, but it is an indisputable outcome of the mathematics of string theory.
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If we are to include the outer and the inner struggle in a conception more definite than that of conflict in general, we must employ some such phrase as 'spiritual force.' This will mean whatever forces act in the human spirit, whether good or evil, whether personal passion or impersonal principle; doubts, desires, scruples, ideas-whatever can animate, shake, possess, and drive a man's soul. In a Shakespearean tragedy some such forces are shown in conflict.
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I am a method actor, but I'm also a film actor as well as a method actor. Characters that don't have humility, whether they are heroes or villains, are hard to relate to. All characters in every aspect of what we do should have humility. If they don't, then they're a cartoon character.
