Tim Howard Quotes
Quotes to Explore
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Do you know why I don't like doing press? I have trouble condensing things. I'd rather have a conversation.
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I like to catch fish and release them. I probably haven't killed a fish that I've caught in sport fishing for 20 years. No reason to kill it. You know, just take it and release it.
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There's always going to be a little bit of autobiographical content to everything. It's how you lend some authority to what you write - you give it that weight by drawing on your direct experiences and indirect experiences from people that you know well, or a little.
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I would love to do a period movie. I've always wanted to wear the corset, you know. It's a girl thing!
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One thing I hear a lot is, 'Dude, my mom loves your record,' or 'I got it for my dad for Christmas.' I'm essentially doing dad rock. Which is great, because I love Steely Dan, you know? Nothing wrong with dad rock!
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I don't know why directors sign on to these projects and completely rewrite everything.
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I'm focused on energy only. And I know what I'm talking about. And I don't want to be distracted on other things.
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I feel like I have so many stories basting in my mind, and they come busting out when they're ready.
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Women have to be active listeners and interrupters - but when you interrupt, you have to know what you are talking about.
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A guy running, you know, fifteen, twenty stallions that are two years of age, never been touched by a human before, and you've got to start castrating them, that's pretty intimidating.
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I grew up taking care of the pigs. I love this country that, you know, somebody can do something like that.
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Everything I record, I just try to sound like me and come up with songs that suit what I do and then just go for it. I never know what the public's going to like, anyway.
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I'm going to put music out when I feel like it's ready.
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Music, first of all, is completely about abstraction, which is exactly what architecture is not. In a way, it has been incredibly constructive to know what true abstraction is. So you don't fall into the trap of thinking that what you do is abstract.
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When I write for kids, I have to make sure they know what can't happen. They have to know it's a fantasy. But when I write for adults, they have to think it's real. Every detail has to be real or they won't buy it.
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Know or listen to those who know.
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I think the thing that I get most excited about is the fact that I know I'm gonna have a great match. That's when I get the butterflies. When it's just a regular match or something like that, I may not get that.
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We know that often holding those who have carried out mass atrocities accountable is at times our best tool to prevent future atrocities.
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I know there is a bounty on my head, such as there is with many other leaders and protesters.
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I think everyone in Hollywood works on multiple things because you never know what's going to happen with your projects.
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You have to know one big thing and stick with it. The leaders who had one very big idea and one very big commitment. This permitted them to create something. Those are the ones who leave a legacy.
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I mean, when you think about it, it's 'bombs bursting in air,' 'rocket's red glare,' it's all kinds of - you know a lot of national anthems are that way, too - all kinds of military jargon, and the land - there's only one phrase 'the land of the free,' which is kind of nice, and 'the home of the brave?' I don't know....Are we the only ones who are brave on the planet? I mean, all the brave people live here I mean, it's just stupid, I think. I'm embarrassed, I'm embarrassed every time I hear it.
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I take it that a successful therapy is an oxymoron.
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I can’t know what’s coming. I only know how to make myself feel ready for it.
