Harrison Ford Quotes
I think you have to be very careful with effects that they don't overpower the story with the visual element.
Quotes to Explore
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We want a story that starts out with an earthquake and works its way up to a climax.
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90%, 100% are going there to hear the singing. The story is another thing. Nobody's interested in the story. Happiness is happiness.
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Every story I create, creates me. I write to create myself.
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As an actor, I'm my own worst critic, but after awhile, really, when you watch 'Moonrise Kingdom', it's such a fantastic film that you sort of get sucked into the story, and then you kind of forget about everything else.
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Genes are like the story, and DNA is the language that the story is written in.
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Kabir Khan is that rare director who manages to merge Bollywood formula with a good story.
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I like to let the story flesh itself out, and usually, the characters make their own decisions as things get under way. Dialogue especially seems to write itself once I'm familiar with the characters and their backgrounds.
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For me, clothing is nothing without the story behind it. Everything I own evokes some kind of memory.
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Of course, I'm not allowed to talk about the script, but I can say it is a really good story.
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When you're a storyteller, part of the process of storytelling is the kind of communion you form with the audience to whom you're telling your story. If some segment of the audience doesn't like that story, it doesn't feel good.
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I will not go into a story unprepared. I will do my homework, and that's something I learned at an early age.
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My only conclusion about structure is that nothing works if you don't have interesting characters and a good story to tell.
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I wrote my first story when I was six or seven.
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I tend to write about my anxieties - it's what I'm afraid will happen. And I write a story working it out.
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Steampunk is not a group of children in a classroom, sitting quietly while the teacher reads a story; it's the kids at recess, playing a wild, endless game of pretend.
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I'm without a doubt a producer first. The lyrics happen towards the tail-end of the process, mainly because they're more stream-of-consciousness. It's very rare that I'm going to tell a really concrete story.
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If you want a happy ending, that depends, of course, on where you stop your story.
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People like it when others are gossiping. When you hear a story about someone's demise or some big faux-pas they made, everyone wants to tune into it, because it's nice to know that someone else made a mistake. It makes you feel elevated for a moment.
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The next 8 years were spent working in New Haven for Health Systems International, which was lots of fun, but that's another story.
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Acting is the most pure fun as far as jobs go, but it can be limiting in terms of freedom of expression. You are never the master of the story, just a part of it. But writing and directing give you the power of the gods.
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I want studios that make story-based games to start taking their stories more seriously. And that doesn't mean hiring a big shot writer from Hollywood; it means that story becomes integral to making your game. I don't see how you can achieve that without having an in-house writer that sits next to the designer, helping them make their levels, talking with the engineers about where we can tell the story more dynamically, pushing at technology.
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Theater is where you go to find out something new that you don't know. It goes through somebody's brain and comes out in a comprehensible way that is beautiful, that's really interesting.
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I think you have to be very careful with effects that they don't overpower the story with the visual element.
