Alexander Borodin Quotes
I am a composer in search of oblivion; and I'm always slightly ashamed to admit that I compose.
Quotes to Explore
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I guess, for better or for worse, I am an American composer, and I've had a wonderful life being exactly that.
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I am writing something which I find satisfying and which I am prepared to put my name to as a composer.
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I make me. At 18, I decided I wasn't going to have an unconstructed self ever. I was going to be the composer, the designer, the architect of me. It's been really fun.
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Thrilled to be honoured by the ISM and to be joining such an eminent list of members who have received the Distinguished Musician Award.
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Man has used human rhythmic movement as raw material out of which to create works of art, as the composer of music uses sound, the sculptor uses stone and wood, the painter his pigments, and the writer - words.
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The composer...joins Heaven and Earth with threads of sounds.
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Did I become court composer through masterful procrastination? Hardly!
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The first requirement for a composer is to be dead.
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To think about "oblivion" is to think about "what art is".
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The musical emotion springs precisely from the fact that at each moment the composer withholds or adds more or less than the listener anticipates on the basis of a pattern that he thinks he can guess, but that he is incapable of wholly divining. If the composer withholds more than we anticipate, we experience a delicious falling sensation; we feel we have been torn from a stable point on the musical ladder and thrust into the void. When the composer withholds less, the opposite occurs: he forces us to perform gymnastic exercises more skillful than our own.
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I've been called a minimalist composer for more than 30 years, and while I've never really agreed with the description, I've gotten used to it.
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Salomon saith, There is no new thing upon the earth. So that as Plato had an imagination, that all knowledge was but remembrance; so Salomon giveth his sentence, that all novelty is but oblivion.
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What's past and what's to come is strew'd with husks And formless ruin of oblivion.
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I wanted to be a composer before anything else. And my sister was listening to Led Zeppelin in the other room! When I heard that, it was a game-changer.
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If you think of the way a composer or say a pop arranger works - he has an idea and he writes it down, so there's one transmission loss. Then he gives the score to a group of musicians who interpret that, so there's another transmission loss. So he's involved with three information losses. Whereas what I nearly always do is work directly to the sound if it doesn't sound right. So there's a continuous loop going on.
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I am an interpreter of music rather than a composer of it.
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I am not a composer of music; I sing pieces which have been written for me which gives me bigger freedom to search for pieces I want to record.
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Ultimately, you're left with the people you love and who love you- everything else fades into oblivion.
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He that winneth souls is wise (Proverbs 11:30) - Those are the best educated ministers, who win the most souls.
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I'm very superstitious about going on other people's sets. You have to ask permission of the director; you shouldn't just turn up and skulk about in the background. It's very rude. You have to ask them personally. It's like a vampire being invited into a house.
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The writing I have in mind and sometimes indulge in myself is concerned, not with plants, mountains or birds as items of scientific description, but with experiences of nature that impinge upon our moods and emotions, enrich our imagination and reveries, and shape our sense of how we stand in relation to the environing world. In a broad sense of the term, this kind of writing is an exercise in phenomenology, an attempt to render the significance that birds, plants or whatever have for us.
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Tell the story that's in your heart, and don't hold back. Write a book the reader will want to melt into.
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I am a composer in search of oblivion; and I'm always slightly ashamed to admit that I compose.
