Guan Moye (Mo Yan) Quotes
My works are Chinese literature, which is part of world literature. They show the life of Chinese people as well as the country's unique culture and folk customs.
Quotes to Explore
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I'm the lightest sleeper. I can hear a pin drop. It's been worse since I was ill. I think your inner ear is always half open, listening out for the faintest danger sign.
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I never thought I'd be an actor.
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I don't believe that anybody has come to a conclusion on why something is funny. It's funny because it's ridiculous and it's ridiculous for different reasons at different times.
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In the future, I'd like to see paleontology as a whole get a lot more quantitative.
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I moved to New York when I was 21 and worked between 40 and 70 hours a week. Then I invested it all. It was really just a hustle. But I was kind of raised to work like that, so to me, it seemed very normal and natural.
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It's more like can I build a group of characters and can I tell some universal truths that feel real and aren't formulaic in the spirit of filmmakers gone by who've told American stories that were personal and universal as well.
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Our bodies are shaped to bear children, and our lives are a working out of the processes of creation. All our ambitions and intelligence are beside that great elemental point.
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I'm not a proper traveler. I don't like to be challenged or have too much of a change and prefer a week away just to relax.
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It is through gratitude for the present moment that the spiritual dimension of life opens up.
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Yeah, I like to have fun - I think that's a good way to live. I think you're better at your job if you like it.
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Men and women are immigrants in each other's worlds.
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I have four of the most incredible children. And I have five grandchildren.
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The terrorist attacks of September 11th and the courageous actions of our armed forces in Afghanistan and Iraq remind us that friends of tyranny and enemies of freedom still exist.
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Growing up, I wasn't the most vocal kid in the world. I feel like I learned through observation, and usually, when you're watching things, you're not speaking. That sort of metastasized in a way that I began to participate less and less in the world.
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In emerging markets, slow growth in the advanced economies has shut down a traditional development path: export-led growth. As a result, emerging markets have had to rely once again on domestic demand. This is always a difficult task, given the temptation to over-stimulate.
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After the falling out with my father, I worked on a couple of ranches - thoroughbred layup farms, actually - out toward Chino, California. That was fine for a little while, but I wanted to get out completely, and twenty miles away wasn't far enough.
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I only write in blue ink.
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I think I tried to control situations within my first marriage and I wasn't the easiest person to live with.
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I'd read up on the history of our country and I'd become fascinated with the story of the Alamo. To me it represented the fight for freedom, not just in America, but in all countries.
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Certainly in my youth there was lots of singing, lots of storytelling, and whenever we went to a party, you had to do a party piece, like sing songs, recite poems, or tell stories. That sort of narrative musical culture was my upbringing.
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I grew up thinking it was wonderful to be big and strong and to be able to knock down other children in the playground if I needed to. But I never felt the need.
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That's the ultimate gratification in any business situation - do customers buy the product? And do they use it and do they come back and buy more of it?
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My works are Chinese literature, which is part of world literature. They show the life of Chinese people as well as the country's unique culture and folk customs.
