Walt Disney Quotes
Quotes to Explore
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I don't want the news to be patriotic. I don't want to see flags on the lapels of the anchors. I don't want any of that.
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I'm gradually beginning to feel that we Chinese need to be controlled. If we're not being controlled, we'll just do what we want.
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I'm never nervous about being vulnerable with my songwriting because my favorite artists are ones that are vulnerable. I want people to feel like they know me.
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I don't believe in endorsing a product that you don't want to endorse.
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I realized, 'Oh, it's easier to get what I want if I embrace the sex symbol thing.' Microphones are more in my face, and I can say things about the kids that I mentor and open more access to more doors.
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I'm a collaborator. I know I don't know everything. I don't want to know everything.
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I want to find a nice decent job as a helicopter pilot.
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I pride myself on not being run of the mill. I don't want to be your umpteenth Fantine in 'Les Miz.'
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I want to be engaged and moved by theatre, there's nothing more disappointing than being left cold. After 'The Author,' I felt wrung out emotionally, like a used tissue.
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We are a nation of immigrants, and if the truth be known, don't we need a whole lot of immigrants to be buying homes and to drive our economy and to take jobs that U.S. citizens don't want?
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I want to say that maybe I've made some wrong decisions, but I'm still an honorable person, and I intend to take care of all of my obligations.
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I don't want to be known as the one who makes movies for older people.
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I eat whatever I want, junk food included.
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You want to know why there's a Texas Rangers? Well, here's the answer. You know how the six-gun came around? Well, here's the answer. You want to know why Mexicans allowed Americans to settle Texas in the first place? It was fear of Comanches.
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I never want to write a book just to tell a story. There is always something deeper going on.
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Federal prosecutors want to indict Julian Assange for making public a great many classified documents.
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Hunger and homelessness aren't things we always want to talk about.
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I really wanted Michael Jackson to be in the first Men in Black, but he didn't want to be considered as an alien!
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We want laws to be applied predictably.
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I think in terms of emotions. And feelings. So sometimes what I say may not always be clear. But creatively, there's a lot to be said for that way of thinking.
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Chance in music doesn't have to involve the I Ching or rolling dice or throwing yarrow stalks. It can involve an out-of-tune guitar, or other impossible-to-replicate moments of awkwardness - even more so than an awkward, out-of-tune live performance, because there's something incredible about the way that an out-of-tune guitar becomes part of the song on a record. I won't be precious and say it's part of the composition - that's nonsensica l - but chance occurrences are so crucial to what's distinctive. It's the fingerprints all over so many of these recordings.
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Blood Dazzler is Patricia Smith's impassioned lyric chronicle of a beloved city in peril, a city whose people were left to die before us all, a people who were the heart of our country and lifeblood of our culture. After rising water, winds and abandonment, after our failure and neglect, comes this symphony of utterance from the ruins: many-voiced, poignant, sorrowful and fierce. This is poetry taking the full measure of its task.
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It's because I like you, I don't want to be with you. It's a complicated emotion.
