Alfonso Gomez-Rejon Quotes
It's a great asset to you, on your first film, to bring some people with you from the television world because they understand the speed that you have to work with to get your grand ideas down.

Quotes to Explore
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I started writing half a paragraph of a mystery novel, half a paragraph there, and they were terrible.
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I have this kind of mild nice-guy exterior, but inside my heart is like a steel trap.
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The most irresistible charm of youth is its bubbling enthusiasm. Youth sees no darkness ahead - no defile that has no outlet - it forgets that there is such a thing as failure in the world and believes that mankind has been waiting all these centuries for him to come and be the liberator of truth and energy and beauty.
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The healthy man does not torture others - generally it is the tortured who turn into torturers.
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Learning to read the Bible in the light of the times in which it was written is critical.
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Beauty is the promise of happiness.
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Customer expectations? Nonsense. No customer ever asked for the electric light, the pneumatic tire, the VCR, or the CD. All customer expectations are only what you and your competitor have led him to expect. He knows nothing else.
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As film-makers, it is very important for us to find common ground between cultures, and maybe that's less the case for politicians who benefit more from finding the conflicts and differences between us.
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I like cars. I know some things. I can change my own car and battery and change my own oil.
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The ruling in the Paula Jones case is so silly.
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I noticed in America that if you write a book of any kind, you're made to be the representative of all the issues that might surround it.
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Authors are influenced by everything they've ever read. If you've read widely enough, it helps you create your own mix.
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She had little doubt that whatever happened to her on this drifting ship was of scant interest to a God who could allow her to reach this sorry state in the first place.
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‘Why are pictures like this allowed?’ he suddenly cried. He had stopped in front of a colonial print in which the martyrdom of St Agatha was depicted with all the fervour that incompetence could command.‘It’s only a saint,’ said Lady Peaslake, placidly raising her head.‘How disgusting – and how ugly’‘Yes, very. It’s Roman Catholic.’
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The Master insisted that what he taught was nothing, what he did was nothing. His disciples gradually discovered that Wisdom comes to those who learn nothing, unlearn everything. That transformation is the consequence not of something done, but of something dropped.
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I was never proud of anything. I just did it like everything else. To do a film - let me explain to you - it's like having a baby. You labor, you labor, you labor, and then you have it. And then it grows up and it grows away from you. But to be proud of giving birth to a baby? Proud? No, every cow can do that.
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Why you gotta act like you know, if you don't know? It's okay if you don't know everything.
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I watched my idol and fellow Dutchman Tiesto. He was the first DJ to play live on stage at an Olympic event - the Opening Ceremony of the 2004 Summer Olympic Games in Athens. At eight years old, all I can remember thinking was, 'I want to be a DJ.'
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It was so good to be held. If only their relationship could be distilled into simple, wordless gestures of comfort. Why had humans ever learned to talk?
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I believe Buddhism to be a simplification of Hinduism and Islam to be a simplification of Xianity.
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It makes sense to invest in new work. It's almost like having a research department in a scientific laboratory. You have to try things out. You'll make some bad mistakes. Some things will fail but at least you'll energise the organisation.
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I mean, I can get things done if I need to, but I can really be completely irresponsible and procrastinate until the very, very, very bitter end. In fact, sometimes I work better under pressure.
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The Open Skies issue is something that's ongoing and we understand that there are issues in Australia that need to be sorted out. It's something that I think over time there's an opportunity for us and we'll work on that in a progressive way.
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It's a great asset to you, on your first film, to bring some people with you from the television world because they understand the speed that you have to work with to get your grand ideas down.