Imelda May Quotes
Quotes to Explore
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During three decades, along all the highways of my youth, Frank had always been there for me.
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I was perhaps about 10 years old when a local farmer rang us up to say he had found a young badger and would we take it in. So we did; it was a female called Bessy and she lived in the boiler room. She was extremely intelligent, had a very low opinion of cats but loved the dogs. She was pretty well trained; she went in the car.
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I kind of lost interest in school. I was never really that interested anyway. I was never academic. I didn't really go to school as much as I should have.
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With patient and firm determination, I am going to press on for jobs. I'm going to press on for equality. I'm going to press on for the sake of our children. I'm going to press on for the sake of all those families who are struggling right now. I don't have time to feel sorry for myself. I don't have time to complain. I am going to press on.
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For me, it's always been very essential to work on projects that one can work on almost for their entire life.
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You know, for one glorious half hour, I was the mother of the president-elect.
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If Boston charters can be stymied despite their extraordinary success, charters anywhere can be stopped.
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Big Business can make laws as easily as it can break them - and with as little impunity.
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We as children went up the mountain to find feed for livestock, like goats, cows and horses, and because in the winter time we would light the fire in the house, we would climb the mountain to collect firewood as well. Because of that, I suppose I became used to climbing mountains.
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We got orders to strike the Marshall and Gilbert Islands. We had a task force with the Enterprise. We had two or three cruisers and probably eight or 10 destroyers.
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To be really great in little things, to be truly noble and heroic in the insipid details of everyday life, is a virtue so rare as to be worthy of canonization.
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In those days, even as a boy, I watched some people that I knew were living way beyond their means.
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I had studied theater for three years in London when someone suggested me for the role.
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I know what it is like to fear violence. I understand the adrenalin rush that comes before violent confrontations. I write my scripts from an emotional point of view and direct so the audience can experience this adrenalin rush.
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I like to have something to base a role on.
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Music is more emotional than prose, more revolutionary than poetry. I'm not saying I've got the answers, just a of questions that I don't hear other artists asking.
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How are men to be secured in any rights without instruction; how to be secured in the equal exercise of those rights without equality of instruction? By instruction understand me to mean knowledge - just knowledge; not talent, not genius, not inventive mental powers.
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As long as I love Beauty I am young.
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During my life I have heard many sermons on the Resurrection. I can recite the events of that first Easter Sunday. I have marked in my scriptures passages regarding the Resurrection.
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What So Not used to be a lot more dance-y, and now it's becoming a lot more melodic. Flume has always had that melodic thing, but it's starting to become a bit heavier, so it's just difficult to navigate between the two.
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The Second Amendment is very important, but we have to have commonsense gun safety.
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A feeling of alienation existed in India about life in Pakistan because most of what was known was negative. So, everyone used to believe things in our country are always bad, and we don't lead a happy life. But this has changed to some extent. After watching our dramas, people now know that we lead our lives similar to the way they live.
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I'm not filthy rich! I'm not as rich as people think. It's funny, isn't it?
