Imelda May Quotes
Quotes to Explore
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During three decades, along all the highways of my youth, Frank had always been there for me.
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I was perhaps about 10 years old when a local farmer rang us up to say he had found a young badger and would we take it in. So we did; it was a female called Bessy and she lived in the boiler room. She was extremely intelligent, had a very low opinion of cats but loved the dogs. She was pretty well trained; she went in the car.
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Beauty means expression and being your most authentic self.
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I kind of lost interest in school. I was never really that interested anyway. I was never academic. I didn't really go to school as much as I should have.
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With patient and firm determination, I am going to press on for jobs. I'm going to press on for equality. I'm going to press on for the sake of our children. I'm going to press on for the sake of all those families who are struggling right now. I don't have time to feel sorry for myself. I don't have time to complain. I am going to press on.
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For me, it's always been very essential to work on projects that one can work on almost for their entire life.
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You know, for one glorious half hour, I was the mother of the president-elect.
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If Boston charters can be stymied despite their extraordinary success, charters anywhere can be stopped.
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I am genuinely into soul, R&B and hip hop - all these genres that get slapped under the 'soul' genre. That spoke to me more than it did to my punk-rock friends. And punk spoke more to me than it did to my soul friends. I basically didn't fit comfortably in either world.
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Big Business can make laws as easily as it can break them - and with as little impunity.
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We as children went up the mountain to find feed for livestock, like goats, cows and horses, and because in the winter time we would light the fire in the house, we would climb the mountain to collect firewood as well. Because of that, I suppose I became used to climbing mountains.
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We got orders to strike the Marshall and Gilbert Islands. We had a task force with the Enterprise. We had two or three cruisers and probably eight or 10 destroyers.
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To be really great in little things, to be truly noble and heroic in the insipid details of everyday life, is a virtue so rare as to be worthy of canonization.
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In those days, even as a boy, I watched some people that I knew were living way beyond their means.
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I had studied theater for three years in London when someone suggested me for the role.
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I know what it is like to fear violence. I understand the adrenalin rush that comes before violent confrontations. I write my scripts from an emotional point of view and direct so the audience can experience this adrenalin rush.
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I like to have something to base a role on.
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Music is more emotional than prose, more revolutionary than poetry. I'm not saying I've got the answers, just a of questions that I don't hear other artists asking.
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I still have a lot to do, a lot to improve.
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I hear actresses talking about this all the time - this idea that you sit in meetings and the studio says, "Well, you can't do that because the audience won't like that. They won't root for you. It's not sympathetic." I think that we've been served this one dish for so long that we believe that it's all that audiences want, but when we test them or throw something out there that has some truth to it, they seem to always respond.
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Our present ecological crisis, the biggest single practical threat to our human existence in the middle to long term, has, religious people would say, a great deal to do with our failure to think of the world as existing in relation to the mystery of God, not just as a huge warehouse of stuff to be used for our convenience.
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Beware of parting! The true sadness is not in the pain of the parting; it is in the when and the how you are to meet again with the face about to vanish from your view.
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I'm not filthy rich! I'm not as rich as people think. It's funny, isn't it?
