Tina Weymouth Quotes
We groove off of everything, any sort of live show. The inner dialogue you're having with yourself, between you and the music, is for me the search for God.
Quotes to Explore
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I inherited some Chanel pieces from my mother. I've worn Prada - absolutely. Wonderful designers are inspiring. I also love designers not known. I love a lot of vintage pieces. I am pretty minimal, pretty classic.
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In politics you must always keep running with the pack. The moment that you falter and they sense that you are injured, the rest will turn on you like wolves.
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I don't do fake. That's the first thing you should know about me. I'm not one to put on airs or change my demeanor depending on where I am or who I am talking to.
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Cartooning was a good fit for me. And yet now, years later, I almost never think about it.
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We just here to do our job.
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Greetings and death to our enemies.
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I think we in the Alpha Band, which was a strange group anyway, weren't dealing with any of these issues. They sneaked up on us and took us over, before we know what was going on.
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No one can make me work harder than I do, so I'm generally not interested in who I am competing with.
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No man may make another free.
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I think when I first straightened my hair, I was a teenager. I don't believe that I was consciously doing it to look white or to be on television. It never crossed my mind. All of the girls in my neighborhood got perms and their hair straightened. But I know that historically it was to assimilate and there are some people who do it for that reason.
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The presumption of innocence, the benefit of the doubt, walking without worrying - these should not be hallmarks of white privilege. They are human rights - human rights - that should be enjoyed by all.
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Don't get me wrong: I would not say no to an Oscar!
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There have been moments in my career when I've had to be tough and I've had to step up to the plate - but usually that's because a man has underestimated me. But other than that, I wouldn't say I'm a tough person.
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I studied at a grammar school and later at the University of Vienna in the Faculty of Medicine.
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I love anything to do with ventriloquism and magic.
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When you're in a rehearsal room, it's like getting into a car and going on a long journey with everyone's stuff in the back. If you keep stopping the car and going, 'Are you sure we want to go?' and think, 'This is really daunting,' you will get frightened, so you just have to keep ploughing through it.
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I think 'method acting' is a widely abused term.
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Directing is: you're overwhelmed the whole time. Your mind never stops. If you care about it. You wake up in the morning and you begin thinking about it and then you go to sleep at night and you're still thinking about it.
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All of us, we are not one thing: we're always between two worlds, and the idea of not being sure is very appealing to me.
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'Alien' asked ground-breaking questions about eco-politics and female empowerment. 'The Matrix' delved deeper into the concept of perception versus reality than perhaps any other film I know. But for some reason, we tend not to remember the significance of their writing.
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And it's one reason why I don't go to a lot of movies - they're more and more dominated by corporate values and fiscal concerns as opposed to cinematic concerns.
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I've never had anyone just stick their hands through my hair. Yet. If they ask, I go, 'OK, you can, if you want to. It's probably just going to feel like most people's.' I take it as a compliment.
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I used to judge the quality of music by whether I could make a 90-minute cassette and not repeat any artists.
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We groove off of everything, any sort of live show. The inner dialogue you're having with yourself, between you and the music, is for me the search for God.
