Alfred Harmsworth Quotes
Quotes to Explore
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We are in the business of gathering the news. We're not in the business of talking about the news.
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Nazanin Zaghari-Ratcliffe was not engaged in subversive work; she was an apolitical project manager with the Thomson Reuters Foundation, the charitable arm of the Reuters news agency.
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But my observation has been, certainly in the news business, you've got to give 110 percent.
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Getting more and more of our news from the social network is having significant repercussions for markets - and your money.
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I am a news presenter, a news broadcaster, an anchorman, a managing editor - not a commentator or analyst.
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I worry that we're not getting enough of the news that we need to make informed judgments as citizens.
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My dad got me hooked on the news. That was a good thing.
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The good news is that economists are intelligent, engaging and often charming folks. The bad news is their work is often of little use to investors.
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Writers are essential. Readers are essential. Publishers are not.
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In most cases, the news is not really news. But in some cases, discoveries are made and should be listened to.
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It's just funny that Americans have to contend with 2000 channels, and 60 different specific news sources, and the confusion that it creates, and the junk that we get to see is hilarious.
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Most of us can now record a whole series with the click of a button. We all have DVD players, and the rise of the DVD box-set means we watch this stuff in two, three-hour sessions. So there is this real appetite out there for lengthy, pretty intricate drama. All that is great news for writers.
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A news organization has a much different responsibility. I might not be telling you the whole story. I might not be telling you a story in a manner that is properly sophisticated.
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I don't have time for the news clippings. I got my own mission.
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The only thing I'd ever done with news was to read copy sitting at the microphone in the studio.
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I hold that the parentheses are by far the most important parts of a non-business letter.
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Twitter is fun because it lets me stay in touch with all my original readers who grew up with my books. I love hearing from readers instantly on Twitter.
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We were constantly appealing for funds from readers when I edited 'The Black Dwarf' in 1968-69.
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A lot of us comedians are drawn to the stage or show business or whatever because we didn't feel so great about ourselves, and we didn't know how to do anything about that, so we sought external approval.
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But coming home that day, walking downhill with a panorama of valley and hills before me, I turned my gaze inward, and what I saw, stopped me in my tracks. Instead of the usual unlocalized centre of myself, there was nothing there, it was empty, and at the moment of seeing this there was a flood of quiet joy and I knew, finally I knew what was missing-it was my "self".
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I think if you're constantly reinvesting into your content and giving the fans stuff, then you can continue to tour. You can continue to sell the merch and monetize the popularity of the brand.
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Leaders should be the chief repenters.
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It is hard news that catches readers. Features hold them.
