Molly Antopol Quotes
So in the drafting process, whenever I would discover something about what my character wanted or didn't want, I immediately just wanted my character to admit to that so I could get to the next, more interesting level in the story.
Quotes to Explore
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God is not something I think about but something I experience as an energy, a Presence. I do find it easier to pray to a female Presence or an androgynous Presence.
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If you have not been a villain at a certain point in time, you will never be a hero. And the day you are a hero, you may become a villain the next day.
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If I was to do anything besides acting, I would be a fireman or a beat cop. I'd do a regular job.
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People are told their rights when they're arrested. Consumers getting collection letters are entitled to the same courtesy.
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All of us are trying to achieve 100 percent in our work. That's all we struggle to do. We never do, but we never stop trying until the day we die. It's that struggle to achieve 100 percent, that's where our performance lies, that's what the audience gets. They get the struggle.
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Mind is everything. Muscle - pieces of rubber. All that I am, I am because of my mind.
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Circumstances give in reality to every political principle its distinguishing color and discriminating effect. The circumstances are what render every civil and political scheme beneficial or noxious to mankind.
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It's often been observed that the first casualty of war is the truth. But that's a lie, too, in its way. The reality is that, for most wars to begin, the truth has to have been sacrificed a long time in advance.
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It's kinda all about image.
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I like the sudden shock of non-sequitur color. Color, in fact, is my weakness.
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In all matters of opinion, our adversaries are insane.
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With almost every book I've written, my secret target audience is the young therapist. In this way, I am staying in my professorial role; I'm writing teaching stories and teaching novels.
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What people say behind your back is your standing in the community.
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Marriage is a wonderful thing.
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Hopefully, there's a place in music for Tinted Windows. If we're really trying to be iconic, we should just stop right now. If one of us could die, that would also help. But I don't think anybody wants that gig.
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It's just my goal to deliver the best story I can, and I want to make sure each book is better than the last, and in order to do that, I have to take chances.
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The great thing about being a print journalist is that you are permitted to duck. Cameramen get killed while the writers are flat on the floor. A war correspondent for the BBC dedicated his memoir to 50 fallen colleagues, and I guarantee you they were all taking pictures. I am only alive because I am such a chicken.
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I refuse to act the way someone expects me to.
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What can we put into the hands of people under oppressive regimes to help them? For me, a big part of it is information, knowledge - the ability to defeat propaganda by understanding it.
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I want to believe in ghosts. I love ghost stories.
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The animators bring their own spontaneity to it as well, because when they do a take of a shot it really is like just one continuous activity for them. They launch into it and do it, and they're not even quite sure how it's going to turn out when they're doing it. They're sort-of sculpting their way through a scene and trying to make this inanimate object alive.
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Because I know that my character is developed from my own acts and thoughts, I will guard with care all that goes into its development.
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The older you get, the more you realize it's not what happens, but how you deal with it.
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So in the drafting process, whenever I would discover something about what my character wanted or didn't want, I immediately just wanted my character to admit to that so I could get to the next, more interesting level in the story.
