Tom Conti (Thomas Antonio Conti) Quotes
There are so many people in film and television that get between a performer and the audience, and that's frustrating.
Quotes to Explore
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I worked on 'Game Of Thrones' for six years, so I'm very well equipped to handle hype surrounding television shows.
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Film has to describe and show.
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I did a sitcom with Desi Arnaz Jr. in a pilot called 'Whacked Out.' We were bombing, and Lucille Ball grabbed the mic and started berating the audience.
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I've always been just as interested in making people think as I am in making them feel, and one of the things this scientific process allows me to do is make the audience look differently at dance.
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Madonna can still produce a catchy pop song, but she hasn't expanded her artistic vocabulary since the 1990s. Her concerts are glitzy extravaganzas of special effects overkill. She leaves little space in them for emotional depth or unscripted rapport with the audience.
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Film has always been a really good tool for me to communicate emotion about why I create a collection. I'm probably one of the first designers to make short films.
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I knew it was called 'Dunkirk,' Christopher Nolan was directing it, and it was a war film. That was all anyone knew.
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No press, no television. If my mom calls and says, 'Did you hear about?' I don't want to know nothing about anything that is going on in relation to music. I shut it all off.
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In the old days, you had an audience of about 400, half of whom were committee members from somewhere or other sitting in their suits. It's become a real sports event with sports fans now.
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How do I act so well? What I do is I pretend to be the person I'm portraying in the film or play.
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I am the biggest geek and fan of film and TV, and I just go through phases.
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When you use the word 'fair' in television, you're already in a fantasy world. Nothing is really fair in television.
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I read a lot of plays as a kid, but I didn't see that many plays, so I feel better-versed in film history and film structure. I just think it's easier to think in pictures.
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There was really a snobbery from people in film - they did not want people who had come from television. It was the poor relation of show business, and especially situation comedy.
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With 'Girls,' it doesn't really feel like I'm doing TV specifically. It just feels like we're making a really long film.
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A film has its own life and takes its own time.
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I think that 'Mary Poppins' needs a subtle reader, in many respects, to grasp all its implications, and I understand that these cannot be translated in terms of the film.
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We are drawn to our television sets each April the way we are drawn to the scene of an accident.
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I think actors are very obsessed about looking different and behaving differently, but all people need is just a different film. They don't want a different you; they want a different story.
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I'm trying to make records where people don't feel cheated. Nashville has been guilty of insulting the Country Music audience for years and years.
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If I should see your eyes again, I know how far their look would go -- Back to a morning in the park With sapphire shadows on the snow. Or back to oak trees in the spring When you unloosed my hair and kissed The head that lay against your knees In the leaf shadow's amethyst. And still another shining place We would remember -- how the dun Wild mountain held us on its crest One diamond morning white with sun. But I will turn my eyes from you As women turn to put away The jewels they have worn at night And cannot wear in sober day.
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I definitely think being a young girl, there's a time where - like when you're in middle school or when you first start liking boys - you don't really feel comfortable. You remember that time when you first got your period, or when your boobs started coming in, that you were like, 'This is weird.' You have to grow into yourself.
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There are so many people in film and television that get between a performer and the audience, and that's frustrating.
