Tom Conti (Thomas Antonio Conti) Quotes
There are so many people in film and television that get between a performer and the audience, and that's frustrating.
Quotes to Explore
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I worked on 'Game Of Thrones' for six years, so I'm very well equipped to handle hype surrounding television shows.
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Film has to describe and show.
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I did a sitcom with Desi Arnaz Jr. in a pilot called 'Whacked Out.' We were bombing, and Lucille Ball grabbed the mic and started berating the audience.
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I've always been just as interested in making people think as I am in making them feel, and one of the things this scientific process allows me to do is make the audience look differently at dance.
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Madonna can still produce a catchy pop song, but she hasn't expanded her artistic vocabulary since the 1990s. Her concerts are glitzy extravaganzas of special effects overkill. She leaves little space in them for emotional depth or unscripted rapport with the audience.
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Film has always been a really good tool for me to communicate emotion about why I create a collection. I'm probably one of the first designers to make short films.
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I knew it was called 'Dunkirk,' Christopher Nolan was directing it, and it was a war film. That was all anyone knew.
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No press, no television. If my mom calls and says, 'Did you hear about?' I don't want to know nothing about anything that is going on in relation to music. I shut it all off.
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In the old days, you had an audience of about 400, half of whom were committee members from somewhere or other sitting in their suits. It's become a real sports event with sports fans now.
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How do I act so well? What I do is I pretend to be the person I'm portraying in the film or play.
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I am the biggest geek and fan of film and TV, and I just go through phases.
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When you use the word 'fair' in television, you're already in a fantasy world. Nothing is really fair in television.
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I read a lot of plays as a kid, but I didn't see that many plays, so I feel better-versed in film history and film structure. I just think it's easier to think in pictures.
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There was really a snobbery from people in film - they did not want people who had come from television. It was the poor relation of show business, and especially situation comedy.
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For U.S. television series, I really like 'Dexter.'
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With 'Girls,' it doesn't really feel like I'm doing TV specifically. It just feels like we're making a really long film.
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A film has its own life and takes its own time.
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I think that 'Mary Poppins' needs a subtle reader, in many respects, to grasp all its implications, and I understand that these cannot be translated in terms of the film.
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When I am not working, I try to watch more than one film a day if I can.
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...there was only one thing that interested her and that was getting into bed with men whenever she'd the chance. And I warned her straight. 'You'll be sorry one day, my girl, and wish you'd got me back'.
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Writing does produce a very unique satisfaction. There are times when I'm writing that it's frustrating or appalling or difficult, but when it goes well, it goes really well, and there is a feeling of rightness, like I'm doing the thing I was meant to do, almost in a mystical way, like I'm at an appropriate angle to the world.
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Once you've agreed the script, you must be willing to go as far as it needs to go on set.
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A thousand acres that can feed a thousand souls is better than ten thousand acres of no more effect.
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There are so many people in film and television that get between a performer and the audience, and that's frustrating.
