Tom Conti (Thomas Antonio Conti) Quotes
There are so many people in film and television that get between a performer and the audience, and that's frustrating.
Quotes to Explore
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I worked on 'Game Of Thrones' for six years, so I'm very well equipped to handle hype surrounding television shows.
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Film has to describe and show.
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I did a sitcom with Desi Arnaz Jr. in a pilot called 'Whacked Out.' We were bombing, and Lucille Ball grabbed the mic and started berating the audience.
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I've always been just as interested in making people think as I am in making them feel, and one of the things this scientific process allows me to do is make the audience look differently at dance.
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Madonna can still produce a catchy pop song, but she hasn't expanded her artistic vocabulary since the 1990s. Her concerts are glitzy extravaganzas of special effects overkill. She leaves little space in them for emotional depth or unscripted rapport with the audience.
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Film has always been a really good tool for me to communicate emotion about why I create a collection. I'm probably one of the first designers to make short films.
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I knew it was called 'Dunkirk,' Christopher Nolan was directing it, and it was a war film. That was all anyone knew.
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No press, no television. If my mom calls and says, 'Did you hear about?' I don't want to know nothing about anything that is going on in relation to music. I shut it all off.
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In the old days, you had an audience of about 400, half of whom were committee members from somewhere or other sitting in their suits. It's become a real sports event with sports fans now.
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How do I act so well? What I do is I pretend to be the person I'm portraying in the film or play.
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I am the biggest geek and fan of film and TV, and I just go through phases.
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When you use the word 'fair' in television, you're already in a fantasy world. Nothing is really fair in television.
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I read a lot of plays as a kid, but I didn't see that many plays, so I feel better-versed in film history and film structure. I just think it's easier to think in pictures.
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There was really a snobbery from people in film - they did not want people who had come from television. It was the poor relation of show business, and especially situation comedy.
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With 'Girls,' it doesn't really feel like I'm doing TV specifically. It just feels like we're making a really long film.
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A film has its own life and takes its own time.
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I think that 'Mary Poppins' needs a subtle reader, in many respects, to grasp all its implications, and I understand that these cannot be translated in terms of the film.
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When I am not working, I try to watch more than one film a day if I can.
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I never felt the need to introduce all the obstacles in my past when I say, 'Hello, my name is Nate.' But at the same time, I've never hidden from it.
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we were investing all our thoughts on what could possibly come next for the Bugatti brand, and we don’t think that an SUV would be the right solution for us, and I repeated this several times. It’s not the SUV, and it’s definitely not the limousine.
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When large numbers of men are unable to find work, unemployment results.
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From the very beginning, all of my films have divided the critics. Some have thought them wonderful, and others have found very little good to say. But subsequent critical opinion has always resulted in a very remarkable shift to the favorable. In one instance, the same critic who originally rapped the film has several years later put it on an all-time best list. But of course, the lasting and ultimately most important reputation of a film is not based on reviews, but on what, if anything, people say about it over the years, and on how much affection for it they have.
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I was influenced by European movies, old Fellini, old Kurosawa - any sort of foreign film.
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There are so many people in film and television that get between a performer and the audience, and that's frustrating.
