Tom Conti (Thomas Antonio Conti) Quotes
There are so many people in film and television that get between a performer and the audience, and that's frustrating.
Quotes to Explore
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I worked on 'Game Of Thrones' for six years, so I'm very well equipped to handle hype surrounding television shows.
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Film has to describe and show.
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I did a sitcom with Desi Arnaz Jr. in a pilot called 'Whacked Out.' We were bombing, and Lucille Ball grabbed the mic and started berating the audience.
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I've always been just as interested in making people think as I am in making them feel, and one of the things this scientific process allows me to do is make the audience look differently at dance.
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Madonna can still produce a catchy pop song, but she hasn't expanded her artistic vocabulary since the 1990s. Her concerts are glitzy extravaganzas of special effects overkill. She leaves little space in them for emotional depth or unscripted rapport with the audience.
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Film has always been a really good tool for me to communicate emotion about why I create a collection. I'm probably one of the first designers to make short films.
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I knew it was called 'Dunkirk,' Christopher Nolan was directing it, and it was a war film. That was all anyone knew.
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No press, no television. If my mom calls and says, 'Did you hear about?' I don't want to know nothing about anything that is going on in relation to music. I shut it all off.
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In the old days, you had an audience of about 400, half of whom were committee members from somewhere or other sitting in their suits. It's become a real sports event with sports fans now.
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How do I act so well? What I do is I pretend to be the person I'm portraying in the film or play.
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I am the biggest geek and fan of film and TV, and I just go through phases.
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When you use the word 'fair' in television, you're already in a fantasy world. Nothing is really fair in television.
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I read a lot of plays as a kid, but I didn't see that many plays, so I feel better-versed in film history and film structure. I just think it's easier to think in pictures.
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There was really a snobbery from people in film - they did not want people who had come from television. It was the poor relation of show business, and especially situation comedy.
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With 'Girls,' it doesn't really feel like I'm doing TV specifically. It just feels like we're making a really long film.
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A film has its own life and takes its own time.
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I think that 'Mary Poppins' needs a subtle reader, in many respects, to grasp all its implications, and I understand that these cannot be translated in terms of the film.
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We are drawn to our television sets each April the way we are drawn to the scene of an accident.
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I don't mean to sound grandiose, but there's something universal that you tap into with films like Feast of July and Schindler's List. You know they aren't make-believe. They illustrate something about life. This is my major concern whenever I select a film
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Your job is always the same if it's a juggernaut or if it's just one of these little jewels of a film that's gonna wind up at the Laemmle or something, so your job doesn't change whatsoever... give it your best shot.
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I was watching 'Deal or No Deal' on YouTube recently, and I bawled when the contestant won £250,000. I think I just like watching people achieve their dreams.
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Maybe we're stuck with who we are.
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When I lived in Nashville, Tanya Tucker and people like that were coming up, and I'm sure that Loretta Lynn and Tammy Wynette were going, 'What's that noise? That's not country.' It's always been this battle where whoever comes up behind the reigning stars isn't country enough. There really is a lot more crossover now.
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There are so many people in film and television that get between a performer and the audience, and that's frustrating.
