William Shenstone Quotes
Quotes to Explore
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It's always a live experience - anything that happens around you. It's so easy to just put it to a song.
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As a songwriter I hate this whole, 'If it's a sad song, it has to sound like a sad song thing.' And that goes all the way back to my days with the Format. I'm an insane narcissist, so if I have to get something off my chest, I'll get something off my chest.
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This whole tribal loyalty seems to have gone.
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'Make You Miss Me' is an important song to me. Having it go No. 1 as the fifth single off of my first record is the cherry on top of a chapter in my life I'll never forget.
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I wouldn't want to cover a Hank Williams song in a country-western way. It doesn't occur to me instinctually to re-create productions. I'm interested in re-creating songs. Putting different clothes on them.
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We never thought 'Say Something' would be a holiday song. I'm still surprised that it's resonating at this time of year. Maybe that's why it's working so well - it balances out all the joy.
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I'm all about telling stories. I like people to picture the music video in their head when they're just listening to the song.
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There was this song I was working on called 'Swing.' It was almost finished, but there was something missing, and I couldn't for the life of me figure it out. And then this little piece of information - this little tweet - came to the forefront of my mind.
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I really like Ariana Grande, Jessie J, and Nicki Minaj's song, the 'Bang Bang' song. It's the new 'Lady Marmalade.' So good.
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My first songs were about animals and shoes. I wrote one song about PF Flyers, and one to my fish.
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When I first start writing a song, I usually write the title first, then the song, and I'll sing the song in my head and think of a visual of the song. If I can't think of a visual behind the song, I'll throw the song away.
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I think that kids need to grow up watching what I grew up watching - great entertainment; you know, Judy Garland and all these musicals that bring song and dance and acting all together in a polished way.
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If I waited for inspiration every time I sat down to write a song I probably would be a plumber today.
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I did a song in eight minutes. I thought everybody could write songs that fast. But working with a lot of them, they don't.
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It was a privilege to direct the music video for Adele's beautiful, heartbreaking song, 'Hello.' When I first heard it, all the images appeared clearly in my head - and her trust and generosity allowed me to work with abandon artistically and emotionally, like she always does. It made me extremely proud.
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There's a lot of craft that goes into achieving a hit song - at the beginning of your career, you're usually more inspiration than craft, and you get great when those intersect. A skilled songwriter can get you to that intersection.
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If it weren't for the rocks in its bed, the stream would have no song.
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I made a point when I made the Ugly Casanova record to not write a song and then say, 'This is a Modest Mouse song' or 'This is an Ugly Casanova song.' The people who were open to it not being a Modest Mouse record liked it.
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I want people to listen to the lyrics of each song and absorb the music fully before they look at me and make a judgment about what they think my music will or should sound like.
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I love taking you inside a world that you're not apart of and showing how actually works.
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What is the popular image of rock star? A rail-thin, overly-paid, narcissistic, average-talented individual who self-implodes in front of everybody, eternally having a party and who looks eternally youthful?
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I've always been very insecure and had a lot of self-doubt growing up. That was partially because of how I was raised.
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There is a certain flimsiness of poetry which seems expedient in a song.
