Mona Simpson Quotes
Quotes to Explore
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I am not attempting to preserve culture, or record actual events or stories. Instead I bow my head in gratitude to those storytellers who have gone before and paved a way for me play in their stomping grounds. Doubtless those who want to be offended, will - allowing me to make them happy, too, which pleases me as much as it pleases them.
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I love old books. They tell you stories about their use. You can see where the fingerprints touched the pages as they held the book open. You can see how long they lingered on each page by the finger stains.
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No one disputes Iran's destabilizing influence in the Middle East or role in killing Americans.
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So many of us are hungry for stories with more racial diversity, more truth in representation, and I am anxious to help tell those stories in the future.
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I haven't left my house in days. I watch the news channels incessantly. All the news stories are about the election; all the commercials are Viagra and Cialis. Election, erection, election, erection! Either way we're screwed!
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My stories do have plot. They're not just scattered language; they're controlled, toward an end.
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I love directing, It means so much to me to direct stories about subject matter that I care deeply about. I can act in many things, and you can try to experience different characters, but to direct is years of your life and you have to really love it and believe in it.
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[Short Talk on Sylvia Plath] Did you see her mother on television? She said plain, burned things. She said I thought it an excellent poem but it hurt me. She did not say jungle fear. She did not say jungle hatred wild jungle weeping chop it back chop it. She said self-government she said end of the road. She did not say humming in the middle of the air what you came for chop.
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Good stories flow like honey but bad stories stick in the craw [gullet]. What is a bad story? It's a story that cannot be absorbed in the first time of reading. It's a story that leaves questions unanswered.
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I have watched constantly that in our work the highest moral and spiritual standards are upheld, whether my productions deal with fable or with stories of living action.
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You had bands like D.O.A., or Black Flag, and a whole network opened up to trailblazer a counter culture movement. I'm more interested in the less sensational type of stories.
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The biggest problem in the fictional treatment of sex is that it's not treated as part of the story but as a pause from the story. The best sex scenes in fiction are the ones that advance the story.
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It's easy to set a story anywhere if you get a good guidebook and get some basic street names, and some descriptions, but, for me, yes, I am indebted to my travels to India for several of the stories.
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Stories only happen to those who are able to tell them.
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After writing a story I was always empty and both sad and happy, as though I had made love.
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I always liked the Van Gogh story because I was terribly involved in that.
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If you want your children to be smart, tell them stories. If you want them to be really smart, tell them more stories. If you want your children to be brilliant, tell them even more stories.
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You can be intuitive when you've got a more expansive role. You can get into the poetry of telling the story rather than just pushing buttons.
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Like most writers, I sit in a room and scribble a story and you don't have a connection with the people who take your story, whether it be to the stage or to the screen.
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You know, I had no trouble with the girls.
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We can have peace, but if we continue to hold out, we can obtain more.
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When we love somebody, we show it by doing something nice. So learn to serve: find a need and fulfill a need. Surprise people with a good deed they hadn't planned on. We have that opportunity at home, at school, and at church.
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I was an emotional manipulator of fighters . . . You have to know how to be cold, you know? Just have no -emotions, no feelings. It takes time, though, to develop that. I'd been working on that since I was 12 years old. It doesn't happen overnight.
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We all - in the end - die in medias res. In the middle of a story. Of many stories.
