K. M. Soehnlein Quotes
The biggest problem in the fictional treatment of sex is that it's not treated as part of the story but as a pause from the story. The best sex scenes in fiction are the ones that advance the story.
Quotes to Explore
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I'd love to do a movie where the monster is human, where the issue is not otherworldly, or horror or science fiction.
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Anyone who knows anything of history knows that great social changes are impossible without feminine upheaval. Social progress can be measured exactly by the social position of the fair sex, the ugly ones included.
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You know, I really miss sex scandals. They're generally colorful. They almost never mean anything over the long run. And while they're going on, the people who actually keep the government running are let alone to go about their business. Good old sex scandals.
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I practice safe sex - I use an airbag.
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I'm the girl next door, not the sex symbol.
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Some things are better than sex, and some are worse, but there's nothing exactly like it.
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I tend to resist invitations to interpret my own fiction.
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I think Secretary's funny, it is about sex, and there's a lot of sex in it, sex is the key, but you're talking about a lot of other complicated things.
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A man's face is his autobiography. A woman's face is her work of fiction.
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They say you can rap about anything except for Jesus, that means guns, sex, lies, video tapes, but if I talk about God my record won't get played Huh?
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You have to accept the fact that part of the sizzle of sex comes from the danger of sex. You can be overpowered.
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I only gave out my opinion that same sex marriage is against the law of God.
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I don't think that my parents even imagined that I would be exposed to drugs. In those days, for some reason, it was not talked about, just like sex was not talked about.
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I try to get roles that challenge me in what I can do and who I think I can portray. For me, it's about creating characters with really fascinating stories, because that's what I like to watch on TV.
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Right from the very beginning, I knew I wanted to write palpably Scottish fiction.
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There is no longer any such thing as fiction or nonfiction; there's only narrative.
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Let's make sure that we are working for age-appropriate sex education in our school system.
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'The Bone Season' is violent. There's sex. My little brother keeps asking to read it, and he's 9, so I'm like, 'No, it's not happening.'
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I see the policy of opposing same-sex marriages or unions, whatever you call it, as bigotry or discrimination.
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The first thing I learned about weapons is respect, and that carries into movies as well. If you're on set and you're dealing with weapons, live or not, you respect the weapon; you know how to handle it appropriately.
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I have lived too long to cherish many illusions about the essential high-mindedness of men when brought into stark confrontation with the issue of control over their security, and their property interests.
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Just as young people absorb all kinds of messages from the media, young girls learn what it means to be a woman by watching the older women in their lives.
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The biggest problem in the fictional treatment of sex is that it's not treated as part of the story but as a pause from the story. The best sex scenes in fiction are the ones that advance the story.
