Sally Mann Quotes
Time, memory, loss and love are my main artistic concerns, but time, among all of them, becomes the determinant.
Quotes to Explore
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For most of my career, I've played roles that were written for other actresses.
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It's no longer a question of staying healthy. It's a question of finding a sickness you like.
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I would love to have been around in the Keystone Studios days.
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I think these people have betrayed or have forgotten their ancestors.
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I didn't make any friends in New York by insisting on moving the league headquarters to Cincinnati. The fact was that my son Bill was in school. His mother had passed away, and I didn't want to take the boy away from his school and to a strange city.
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It's a different era. Our job now is to show leadership and vision and to help the next generation of artists.
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All writers are the same - they forget a thousand good reviews and remember one bad one.
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Don't be afraid to give your best to what seemingly are small jobs. Every time you conquer one it makes you that much stronger. If you do the little jobs well, the big ones will tend to take care of themselves.
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In the editing room, 20 percent of the time you're using stuff from before the actor knew the camera was rolling or you're taking a line from somewhere else and putting it in his mouth.
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I started riding the whole 'fluffy' train, and it's a cute word and socially a lot more acceptable than someone saying is fat or obese. If you call a girl 'fat,' yo, she'll raise hell, but if you say, 'Aw girl, look at you, you're fluffy,' there's almost a sexy appeal to it.
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I saw stars like Helen Hayes, Maurice Evans, Tallulah Bankhead and Cornelia Otis Skinner. It was enchanting. I knew that was the world I wanted to be in.
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Maven is very much a haunting presence in 'Glass Sword.' His influence is everywhere, and he dogs Mare and Cal like no other. He's my favorite character to write because he's so complex, but also because he affects everyone else so deeply. He's kind of like the source of gravity. Everyone moves around him and what he's done.
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Born in 1936, I experienced the Second World War as a child in the city of Gelsenkirchen-Buer. This area was heavily bombed, but fortunately, all members of my family survived the war and post-war period.
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The dons of Oxford and Cambridge are too busy educating the young men to be able to teach them anything.
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It's so hard to be the girl in a country song, so we're speaking up.
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Because I was the only child, I was completely indulged. My father thought I was the best looking boy. And even though I was at 100 kgs., he dismissed it as puppy fat. He thought that the sun came out of my head. If I got five out of ten marks, he thought I was half there and had only half way more to go.
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The Toast's audience is about 30-35 percent male, which shocked me because I would say that we actively try to discourage men from reading our site. Apparently, there's not insignificant number of dudes out there who think that what we are doing is okay.
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Maurice was a silly man. Maurice liked being silly.
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Imagine the first time you are about to rap in a studio and you find yourself in a booth with Redman and KRS!
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For tribal man space was the uncontrollable mystery. For technological man it is time that occupies the same role.
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Love is the poetry of our feelings. But there are some horrible poems.
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More evangelicals today will visit abortion mills as clients than as ambassadors of Jesus Christ.
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Time, memory, loss and love are my main artistic concerns, but time, among all of them, becomes the determinant.
