Monica Keena Quotes
Quotes to Explore
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Comedy's really subjective, you know; that's why it's so hard.
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All performers get on stage because they need to feel love from an audience. I might appear confident, but those three seconds before I get out there, I'm a mess. But I have to take the risk; otherwise, I'd be miserable and would feel like I wasn't seeing through my personal destiny.
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The musket could not be aimed except in a general direction; a bow in the hands of a skilled archer could regularly hit and kill an enemy completely beyond musket range.
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Self-discovery is above all the realization that we are alone: it is the opening of an impalpable, transparent wall - that of our consciousness - between the world and ourselves.
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Michael Arndt, that guy - you're just supposed to say nice things about other writers, but I worship Michael Arndt.
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I'd love to be a 'Bond' girl.
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Listen, we're still selling stardom. That doesn't go away because MTV decides they can't play videos or they want to program themselves more as a traditional T.V. station. Vevo and YouTube are like MTV online, and on demand.
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I am willing to lend that hand, I will continue to stay involved with my charities as long as they need me.
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My Christian Louboutins are also one of the secrets to my not-for-profit success. Here's why - and it's something that everyone who manages employees, whether in a for-profit business or a not-for-profit, should keep in mind: A little extravagance goes a long way.
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I vote Labour and can't begin to acknowledge anything good that comes from a Tory.
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I mean, what is racism? Racism is a projection of our own fears onto another person. What is sexism? It's our own vulnerability about our potency and masculinity projected as our need to subjugate another person, you know? Fascism, the same thing: People are trying to untidy our state, so I legislate as a way of controlling my environment.
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I'm more interested in characters who are a little difficult.
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I hope to stay light on my feet, to work in many modes, to seek inspiration always, and avoid the fatal. But, as we all know, it is the price of life to burn out, both metaphorically and literally.
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Things have changed. Now it's not the outward appearance, it's the inward man that I'm trying to change. And that's the message I bring to the people.
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I do read all my work aloud as I'm working - this has made it a little hard to adjust to my husband's retirement. I can shout the shouty parts if I'm alone in the house, but of course, I feel a fool if someone is there to hear me.
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Throughout my career, I was never able to relax; I always had to go on the field with another responsibility. I felt like I was playing, not just for my team, but for my race.
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Nothing was more up-to-date when it was built, or is more obsolete today, than the railroad station.
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I grew up watching the 'People's Choice Awards.'
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It wasn't until my teenage years that a book really left a mark, and that was George Orwell's 'Nineteen Eighty-Four.' It was on the syllabus at school when I was about 16, and I went on to read more of his books. It was the height of the Cold War, so a lot of the messages really resonated at the time.
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It's always an amazing gift to be able to work with storytellers who 'get it' and who can not only draw anything but can draw it better and more dynamically than you'd ever envisioned.
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My guitar is a 1934 National Trojan. They call it a resonator, which is the guitar guys played in the honky-tonks before amplification. It's very loud. It's the type of guitar that Son House and Robert Johnson played.
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Passive fatalism can never be the role of a revolutionary party, like the Social Democracy.
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I like crisp words like 'blimey', 'yikes', 'crap' which describe consternation, embarrassment, and sometimes wonderment without making me type so many alphabets.
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Yoga's an amazing release.
