Morgan Freeman Quotes
It seems to me that I never grow unless I'm actually working with other actors who have shed whatever shell it is that keeps them insulated from each other.

Quotes to Explore
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The stage and working in front of a camera are two completely different mediums. Each requires different techniques.
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Probably Romania and China and Russia. I think they're all working really hard to beat us right now.
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I love working in America, I love being part of the industry out here.
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I'm a big believer in living life as an extended working vacation.
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I made a big family when I was working at 'Vogue' for ten years, and I'm still friends with a lot of them.
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I fell in love with the whole process of making a movie. I loved the sets. I loved watching the actors and the crew.
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I can't imagine working without and audience.
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I prefer working in good cinema, wherever it is. I like subjects that have a universal appeal.
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I have a theater background, so I like finding beats, working on things and having rehearsal.
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The bottom line is: We must be working on arriving at the destination for which we were put on this planet.
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Myself and David, we both love art. We have a lot of respect for Damien Hirst and Julian Schnabel, and we've met them both, and they're very interesting characters. I also have a lot of respect for the working women out there. As you know, it's not easy when you're looking after children and you have a career as well.
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Out of all the actors I have worked with, I love working with Larry Hagman the most. We were very close and it was just a wonderful time.
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When I'm not working, I prefer not to use any make-up so my skin can breathe. And I always moisturise.
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Most of the time, I'm not even working; I'm just helping people, because I feel that I am too lucky.
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What could be better than working with people you love?
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All of the guys I know from Jersey held onto this feeling of, 'We're always just working.'
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I love actors.
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I'm working over 80 hours a week and have to keep on track.
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I don't get jobs in films by auditioning. I'm not blonde. You can't place me in movies the way you can with certain actors. It's very difficult for my agents.
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I don't want dead paint, so I test many of my works by studying them in a dark room at twilight or even after dark to check the luminosity. If the darker forms still have resonance and luminosity, I know the painting's working.
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A guy running, you know, fifteen, twenty stallions that are two years of age, never been touched by a human before, and you've got to start castrating them, that's pretty intimidating.
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What is most amusing and can happen only in India is that the most posh and big households that I've seen in Mumbai, the 'big city', will have their balconies and windows festooned with rows of baniyans and tauliyas hanging on them.
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A man shrinks or expands into the degree and nature of his ambition. Ambition needs to be cultivated and refined, and yet has no teachers.
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It seems to me that I never grow unless I'm actually working with other actors who have shed whatever shell it is that keeps them insulated from each other.