Albert William Upton Quotes
When you're in that scene, you really wonder if this is all you're ever going to be. You know how vile and filthy you are inside.
Quotes to Explore
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I cannot always control what goes on outside. But I can always control what goes on inside.
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I'm not into the whole showbiz scene.
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How can we later criticise other countries outside the European Union for adopting such measures to repress opponents when we are tolerating this inside the European Union with European citizens? Like me - I'm a European citizen.
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There really isn't a story that you can't tell inside of it. It's very much a clearinghouse for anything that goes on in the world. So you're not at all limited.
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Being funny is a symptom of what's underneath. You're pumping out all that energy because something else is going on inside you, some opposing force, something uncomfortable.
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The Pentagon is a series of wedges. So you have - the outer wedge has windows on the outside, and then inside of that, it has windows with an alleyway; then there's another wedge with windows outside, windows inside. And we call them the E Ring, the D Ring, the C Ring.
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If I have something inside me that I want to get out, I'll just beat it out on the banjo right then and there.
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Tolkien is as good as Dickens at sketching a scene.
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Most of the time I'm thinking, I'm glad that scene was improvised.
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To allow the construction of places of worship other than Islamic ones in Saudi Arabia, it would be like asking the Vatican to build a mosque inside of it.
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Coaches who can outline plays on a black board are a dime a dozen. The ones who win get inside their player and motivate.
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Get on up, stay on the scene, get on up, like a sex machine.
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Oh, I just sing like I hurt inside.
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I expected the unexpected and went [on the Moon] with an open mind. I think the visual scene was described by my words on first landing - "magnificent desolation." Magnificent for the achievement of being there, and desolate for the eons of lifelessness.
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Woman! Do you ever look inside? Do you ever look inside and see what you are not? God!
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With Jane Birkin, we had a scene from a film called Jane B. by Agnès V. - a portrait I made in '87. We had a casino scene, surrealistic, in which we had some naked people gambling. Jane Birkin was the card dealer and I was the player. I had beautiful jewelery around me, and when I lost I would take the jewelery and say, Service - being very generous, because it was very expensive jewelery. I would say, Tip.
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If in the sex scene you happen to be naked in front of a lot of other people you've just got to put that aside, in the same way that you have to put that aside in a fully-clothed intense dialogue scene because you're entering into that particular imaginative state of play.
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There's more to me than just this jersey I wear, and that's Christ living inside of me.
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Doing a scene is like opening a bottle. If it doesn't open one way, try another - perhaps even give it up for another bottle?
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I was able to work with some really talented funny people! I was a fan of both Max Greenfield and Jake Johnson before being on the show and it was amazing working with them! My main scene was with Max and we did so many takes with different reactions. He is so funny! After ever take everyone was laughing so hard!
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Without sounding too pretentious, I feel my job is almost like becoming a monk or a nun - it's a calling.
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Most of my contemporaries at school entered the World of Business, the logical destiny of bores.
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I've always been a little shy about taking my clothes off, but I don't worry about it any more.
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When you're in that scene, you really wonder if this is all you're ever going to be. You know how vile and filthy you are inside.
