Tori Kelly Quotes
Quotes to Explore
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When I was around eight, I learned how to touch-type at school, and I received a computer as a present. I started writing plays, and for many years I thought I would be a playwright.
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I taught English and history, so my education for that really helped prepare me for writing historical fiction.
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Writing a tribe is fun. They have their own language, their own slang; they repeat it, and it becomes part of the texture of the play. For a writer, that's thrilling. That's when my pen flies.
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I've had those people very interested in my writing. Since I think of myself as a composer, I feel really good. I've had lots of guys call me up. I've gotten two or three commissions to write things. I've written lots of movie scores.
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When you're writing a book, you don't really think about it critically. You don't want to know too well what you're doing. First, you write the book, then you find the justification for it.
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Some of the stuff that Wilmer wears is bad. And Debra Jo.
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I can be collaborative, for instance, in situations where I go and study the artist's work before I start writing. Then I can at least try to write towards their style.
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I have yet to see a piece of writing, political or non-political, that doesn't have a slant. All writing slants the way a writer leans, and no man is born perpendicular, although many men are born upright.
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I love writing two narratives! I think concurrent storylines are my favorite way to write a book.
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The most difficult and complicated part of the writing process is the beginning.
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I was writing at a really young age, but it took me a long time to be brave enough to become a published writer, or to try to become a published writer. It's a very public way to fail. And I was kind of scared, so I started out as a ghost writer, and I wrote for other series, like Disney 'Aladdin' and 'Sweet Valley' and books like that.
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The nice thing about writing at home is that it's almost as though I'm doing it already. I get out of bed thinking of my work, and I don't have to go anywhere to do it.
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Nobody's going to write a book about me, because nobody's going to find anything worth writing a book about.
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But in the meantime I became accustomed to the writing life and it would be hard to change now - partly because of the salary cut if I went to my other love, teaching; and partly because I still have stories to tell, even though it isn't all that fun doing the work anymore.
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On a very personal level, I have fond memories of spending a lot of time in the Library of Congress working on my collection of poems 'Native Guard.' I was there over a summer doing research in the archives and then writing in the reading room at the Jefferson building.
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I am writing something which I find satisfying and which I am prepared to put my name to as a composer.
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The problem with too beautiful a view is that it's alright for the mulling stage. But for the writing stage, you want to be somewhere without a view, especially if it is very different from what you're writing.
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You get so caught up in what you're writing - action sequences tend to do that more than anything else because you're living it, and feeling for your characters.
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I didn't really get serious about my own writing until I was convinced it was something that I wanted to do, that I wanted to spend that much time alone.
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No self-respecting feminist could argue with the claim that the novel is more likely to accept existing power structures than not. But there's a vast difference, surely, between Dickens saying Indians should be exterminated and a Dave Eggers writing eloquently about the NSA, but not being as outspoken on American military power abroad.
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I divide my time between Columbia, Maryland, and Lagos, Nigeria.
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I've kind of gotten more timid. I used to be fearless - at a certain point I didn't care about what anybody thought. I had all the answers and I could have been as bad as I wanted to be. But nowadays I just want to be good and make people happy.
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Minds, unlike brains, are not entirely given at birth. Minds are also forms of cultural achievement.
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Songwriting never gets old. There's always stuff to write about.
