Neil Farber Quotes
I love Inuit art, and most anything you would find in a folk art museum, as well as children's art or children's book illustrators or illustrators in general - all the kinds of work that my paintings would draw comparisons to.
Quotes to Explore
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Yesterday, I did some painting then went out to buy an onion and came home and watched 'University Challenge.' The onion was probably the highlight.
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It's great, I guess, when your paintings are hanging up in a museum.
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The mere drawing and painting world of the pattern designer and the applied artist must become a world that builds again.
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I have never been to a museum in Hong Kong, or a movie or a play. I've never gone club-hopping. I've never taken the tram to Victoria Peak.
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Sunlight is painting.
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'..learn to draw: that's where most of you Troyon's pupils are falling down today.. ..draw with all your might; you can never learn to much. However, don’t neglect painting, go to the country from time to time and make studies and above all develop them..' Monet is quoting in his letter Troyon, a friend of Boudin in Paris
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A large vocabulary is like an artist having a big palette of colors. We don't have to use all the colors in a single painting, but it helps to be able to find just the right shade when we need it.
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The substance of painting is light.
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There are certain things in which mediocrity is not to be endured, such as poetry, music, painting, public speaking.
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I'm a big believer in the emotion of design, and the message that's sent before somebody begins to read, before they get the rest of the information; what is the emotional response they get to the product, to the story, to the painting - whatever it is.
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Lovers of painting and lovers of music are people who openly display their preference like a delectable ailment that isolates them and makes them proud.
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In music, they're not endlessly rewriting Beethoven's 'Third Symphony;' in visual art, they aren't painting portraits of 16th-century royalty. Art moves forward.
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So much of the history of painting is the propaganda of self-aggrandizement.
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Modern art, in particular, seems especially vulnerable to fraud. Its abstractions are sometimes difficult to understand or grasp, and a modern painting is often loved less because of its intrinsic quality - its beauty, as conventionally understood - than because of the identity of the painter, its mark of social status.
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If you scratch a great photograph, you find two things; a painting and a photograph.
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I use printers to make prints of the images that I am creating. And I try to have that surface kind of replicated in the painting.
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My music is more than me writing a flashy soul song. They're heartfelt songs about my family and true stories. I have also songs that aren't personal, but just painting a picture. I don't like being put under labels, but my music is going to continue to stay classic and timeless forever.
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Your creativity before it gets formed into words and songs is the actual substance. No one else can see it, right? Unless you give it the shape of a song or a painting or whatever.
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The only time I feel alive is when I'm painting.
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There was a point after the whole intensity of the Clash finally subsided when I just found that painting grounded me in a way that music didn't.
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When I was living in the Dominican Republic, the local kids became a part of my family.
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The songwriters whom we think of being the greatest songwriters usually write one hit and six or seven flops. That includes the Irving Berlins and the Hoagy Carmichaels, the Harold Arlens, Cole Porter.
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I love Inuit art, and most anything you would find in a folk art museum, as well as children's art or children's book illustrators or illustrators in general - all the kinds of work that my paintings would draw comparisons to.
