Neil Farber Quotes
I love Inuit art, and most anything you would find in a folk art museum, as well as children's art or children's book illustrators or illustrators in general - all the kinds of work that my paintings would draw comparisons to.
Quotes to Explore
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Yesterday, I did some painting then went out to buy an onion and came home and watched 'University Challenge.' The onion was probably the highlight.
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It's great, I guess, when your paintings are hanging up in a museum.
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The mere drawing and painting world of the pattern designer and the applied artist must become a world that builds again.
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I have never been to a museum in Hong Kong, or a movie or a play. I've never gone club-hopping. I've never taken the tram to Victoria Peak.
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Sunlight is painting.
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'..learn to draw: that's where most of you Troyon's pupils are falling down today.. ..draw with all your might; you can never learn to much. However, don’t neglect painting, go to the country from time to time and make studies and above all develop them..' Monet is quoting in his letter Troyon, a friend of Boudin in Paris
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A large vocabulary is like an artist having a big palette of colors. We don't have to use all the colors in a single painting, but it helps to be able to find just the right shade when we need it.
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The substance of painting is light.
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There are certain things in which mediocrity is not to be endured, such as poetry, music, painting, public speaking.
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I'm a big believer in the emotion of design, and the message that's sent before somebody begins to read, before they get the rest of the information; what is the emotional response they get to the product, to the story, to the painting - whatever it is.
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Lovers of painting and lovers of music are people who openly display their preference like a delectable ailment that isolates them and makes them proud.
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In music, they're not endlessly rewriting Beethoven's 'Third Symphony;' in visual art, they aren't painting portraits of 16th-century royalty. Art moves forward.
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So much of the history of painting is the propaganda of self-aggrandizement.
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Modern art, in particular, seems especially vulnerable to fraud. Its abstractions are sometimes difficult to understand or grasp, and a modern painting is often loved less because of its intrinsic quality - its beauty, as conventionally understood - than because of the identity of the painter, its mark of social status.
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If you scratch a great photograph, you find two things; a painting and a photograph.
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I use printers to make prints of the images that I am creating. And I try to have that surface kind of replicated in the painting.
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My music is more than me writing a flashy soul song. They're heartfelt songs about my family and true stories. I have also songs that aren't personal, but just painting a picture. I don't like being put under labels, but my music is going to continue to stay classic and timeless forever.
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Your creativity before it gets formed into words and songs is the actual substance. No one else can see it, right? Unless you give it the shape of a song or a painting or whatever.
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Which painting in the National Gallery would I save if there was a fire? The one nearest the door of course.
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Good business leaders create a vision, articulate the vision, passionately own the vision, and relentlessly drive it to completion.
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When I was on tour, people would say "We don't need a value-based currency, we can go out and buy gold and silver with US dollars now." I mean that it is so utterly brain dead, because they miss the whole point: the reason we need to have a gold and silver based currency is to bring discipline to the financial system so the government can't go out and do all sorts of bad things.
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The priesthood is a marriage. People often start by falling in love, and they go on for years without realizing that love must change into some other love which is so unlike it that it can hardly be recognized as love at all.
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I love Inuit art, and most anything you would find in a folk art museum, as well as children's art or children's book illustrators or illustrators in general - all the kinds of work that my paintings would draw comparisons to.
