Ibrahim Babangida Quotes
With each new book, the march of our national history takes a step forward. When one is present at a book launch, one is bearing witness to the birth of a new body of ideas, to the coming into being of another testimony of history.
Quotes to Explore
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We put more emphasis on who can drive a car than on who can be a parent. And I think there ought to be mandatory parenting classes starting in high school, and you should have to have a license to be able to be a parent to explain that you don't give alcohol to kids.
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I'd just play 'til my hands fell off. My parents would yell at me to stop because they couldn't stand the noise any more! I was terrible! It must have been hard for them to listen to me as a beginning drummer.
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I love Harlem, it's like a second home to me.
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Even complex passwords are getting easy to break if they're too short. That's because today's inexpensive computer chips have the power of supercomputers from the year 2000.
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There are really two kinds of optimism. There's the complacent, Pollyanna optimism that says, 'Don't worry - everything will be just fine,' and that allows one to just lay back and do nothing about the problems around you. Then there's what we call dynamic optimism. That's an optimism based on action.
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It's no longer a question of staying healthy. It's a question of finding a sickness you like.
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For someone with a background of economic justice, what scared me about climate change is not just that the sea level will rise and we'll have more storms - it's how this intersects with that cocktail of inequality and racism.
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It is all very well and it sounds very seductive to say we are going to have harmonisation of regulations, but for example the way that funds are distributed around the states these days, you are positively penalised if you actually want to have say a lower payroll tax or sort of conditions.
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I remember when people actually wore coats and ties to theatre every night. They don't anymore. It's very different.
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One of the things I wonder is whether it's good that the whole free model makes a lot of people listen to more of your music. I'm wondering if it devalues it, it becomes disposable, because you can get it so easily.
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I have always lived an ordinary life, and always will. It's who and what has to do with my job that makes it 'unordinary.' I cook, go to the supermarket, pick my children up at school.
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The stage is the best experience in the world. It's a great compliment to be able to share the music, because people can hear my album but they don't get to make the connection in the same way as when it's one-to-one.
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I don't need somebody behind a desk to tell me what a marketing survey says is funny. I got 3 million miles and 70,000 tickets sold, telling me that I know how to make people laugh.
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I think all television has to be about relationships and I don't think horror for the sake of it can work unless you're able to ground it in some kind of relationship.
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I got the role I loved the most at a point in my career when most women are being phased out.
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The most divisive issue facing New Yorkers in 2013 is stop and frisk, a tactic used by law enforcement to stop, question, and frisk people suspected of a crime.
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I turn people into human beings by not making them into gods.
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I studied writing at university, and I actually majored in screenwriting. Then I went to work as a bookseller and then as a sales rep and publicist and then various editorial jobs until I ended up with HarperCollins in Australia.
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One way the Tea Party has benefited female candidates - and the conservative movement generally - is by consciously steering clear of social issues.
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I begin a book with imagery, more than I do with an idea or a character. Some kind of poetic image.
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I wrote 'My Name is Red' just to remember painting, where the hand does it before the intellect. When I'm captive to it, I'm a happier person. Kierkegaard tells us that a happy person is someone who lives in the present; the unhappy person, someone who lives either in the past or the future.
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Unfortunately, during the course of 2,000 years of Christian history, this symbol of salvation has been detached from any reference to the ongoing suffering and oppression of human beings—those whom Ignacio Ellacuría, the Salvadoran martyr, called “the crucified peoples of history.” The cross has been transformed into a harmless, non-offensive ornament that Christians wear around their necks. Rather than reminding us of the “cost of discipleship,” it has become a form of “cheap grace,”[3] an easy way to salvation that doesn’t force us to confront the power of Christ’s message and mission. Until we can see the cross and the lynching tree together, until we can identify Christ with a “recrucified” black body hanging from a lynching tree, there can be no genuine understanding of Christian identity in America, and no deliverance from the brutal legacy of slavery and white supremacy.
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With each new book, the march of our national history takes a step forward. When one is present at a book launch, one is bearing witness to the birth of a new body of ideas, to the coming into being of another testimony of history.
