Yehuda Berg Quotes
Quotes to Explore
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To even get to the Olympics, I have to qualify for the 2013 World Championships and the standard is high. I know I am always going to be a few points behind the top guys.
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I live on the same street as my family, actually. I live across the road. I'm a real family person!
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I'm a very interior person. I love silence. I revel in it. I'm happy that way.
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A Nicklaus Design golf course is done by the guys in my company that I work with, that have been trained in my vision, and they do what they think I might do. They might come in the office and ask me questions and I'd certainly answer their questions, but I'm not involved in the site visits or anything else.
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I write 'by the seat of my pants.' I love to do research. I am inspired by contemporary writers and contemporary events. I live in the real world.
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I was a huge ham in school in Atlanta.
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It used to hurt me that people thought I didn't have the technique and the temperament to play Test cricket.
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One morning I woke up and was plunged into psychological shock. I had forgotten I was free.
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My gut feeling about sequels is that they should be premeditated: You should try to write a trilogy first or at least sketch out a trilogy if you have any faith in your film.
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I was a little too young to be a hippie.
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Television offered me the opportunity to do new things; I had written a lot of scripts other than scary movies. I had actually written some romantic comedies and stuff that I really wanted to try my hand at, and nobody would let me do that. Television allowed me to do anything I wanted.
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Governments are not running the show anymore. Scumbag Entrepreneurs are, and they have a harsh and ruthless agenda.
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You need tremendous spirituality to stop yourself falling into the abyss.
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It is as difficult to define or classify Islamic cinema as it would be a Christian, Jewish or Buddhist one.
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I have written 20 books, and each one is like having a baby. Writing is not easy; some people want to write books but just can't put a story together. I can put together a story that interests both me and my readers.
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The only thing documentary filmmakers have to work with, at least the way I make films, is trust. That's been true of everyone from James Carville and George Stephanopoulos to the kids in 'American High' to the soldiers in 'Military Diaries' to Anna Wintour to Dick Cheney.
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I conveniently was not accepted to film school, which I applied to in 1987, and so I decided I would become a filmmaker instead of a student.
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The real problem is not why some pious, humble, believing people suffer, but why some do not.
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I didn't want to spend the next thirty years writing about bad things happening in the same small town - not least of all because people would begin to wonder why anyone still lives there!
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Many Canadian nationalists harbour the bizarre fear that should we ever reject royalty, we would instantly mutate into Americans, as though the Canadian sense of self is so frail and delicate a bud, that the only thing stopping it from being swallowed whole by the US is an English lady in a funny hat.
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I've worked hard over the years, I've been injured and I've worked hard through it, and I've made it.
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I love my hockey, but if you can do that and go home and just be a dad and husband, then you have the best of both worlds.
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I approach film no differently than I approach a role. I want to make sure the movie is right, the characters are right, I can really bring something to it as a visionary, a storyteller. It's great to point a camera, but can you tell a story?
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If I said it once, I'll say it again: 'We have the power to change everything.'
