Barbara Crampton Quotes
I hope to be on the scene for a long time. I'd love to be old and gray and still be working in this horror genre.
Quotes to Explore
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I didn't know I wanted to act until it was around 21. I had just come back to Los Angeles after two and half years of traveling and working as a dancer and singer and was looking for a new performing art to study. I started taking acting classes and fell in love.
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The stage and working in front of a camera are two completely different mediums. Each requires different techniques.
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I'd love to do a movie where the monster is human, where the issue is not otherworldly, or horror or science fiction.
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I'm not into the whole showbiz scene.
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Probably Romania and China and Russia. I think they're all working really hard to beat us right now.
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It was really fun working with Jamie Foxx and Cameron Diaz on set.
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I was always active, always running and working out. I was a wrestler and ran track and, out of interest, started boxing. It's always been a part of me.
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Pops played football for LSU. Ever since I can remember, I've been working with him running routes and stuff.
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When I do a horror or a fantasy film it all boils down to something in the script that surprises me. It could be a big thing or a small moment. If it's there I'll do it.
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I prefer working in good cinema, wherever it is. I like subjects that have a universal appeal.
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I have a theater background, so I like finding beats, working on things and having rehearsal.
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When you're working well, you don't do research. Whatever you need comes to you.
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It's a very unique feeling - to be that strong and unbreakable. But I'm working towards it.
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I tend to write about my anxieties - it's what I'm afraid will happen. And I write a story working it out.
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I definitely know I'm going to be working a lot more with my foundation when it comes to developing the kids in Jamaica.
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Out of all the actors I have worked with, I love working with Larry Hagman the most. We were very close and it was just a wonderful time.
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The slums are not a place of despair. Its inhabitants are all working towards a better life.
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When I'm not working, I prefer not to use any make-up so my skin can breathe. And I always moisturise.
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Well the Bombay film wasn't always like how it is now. It did have a local industry. There were realistic films made on local scenes. But it gradually changed over the years.
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I was able to work with some really talented funny people! I was a fan of both Max Greenfield and Jake Johnson before being on the show and it was amazing working with them! My main scene was with Max and we did so many takes with different reactions. He is so funny! After ever take everyone was laughing so hard!
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I began to like New York, the racy, adventurous feel of it at night, and the satisfaction that the constant flicker of men and women and machines gives to the restless eye.
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I was always moved by all of the music. As a young man, Duke Ellington and Lionel Hampton, Count Basie and all these great musicians would come through our town of Memphis. There wasn't adequate hotels, so these musicians - the lady who ran the theater knew my mother, who had a large house, and many of them would stay with us. So that was another great blessing, so I'm always around these great geniuses, and to realize their humanity is such a touching thing.
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This generation, raised on "Eyewitness News," conditioned by the instant replay, and spared the illumination that comes from tedious historical study, tends to be even more ahistorical than most.
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I hope to be on the scene for a long time. I'd love to be old and gray and still be working in this horror genre.
