Ann Althouse Quotes
Quotes to Explore
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An increase in light gives an increase in darkness.
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The whole problem can be stated quite simply by asking, 'Is there a meaning to music?' My answer would be, 'Yes.' And 'Can you state in so many words what the meaning is?' My answer to that would be, 'No.'
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Very much alone in my work, I am almost jealous of it.
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Everything can be satirized.
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American stuntmen are smart - they think about safety. When they do a jump in a car, they calculate everything: the speed, the distance... But in Hong Kong, we don't know how to count. Everything we do is a guess. If you've got the guts, you do it. All of my stuntmen have gotten hurt.
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I'm always watching people over a short time frame, putting them in an extreme position. Sometimes you don't see the humanity in a person because the time frame is so short and the circumstance so extreme.
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There is no other prize in any country that carries the prestige that a Nobel bestows.
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I have been working since I was 11 on everything including period dramas.
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Inauguration Day is like two ships passing in the night: the new staff moving in while the other walks out, taking one final look at the White House lawn as they leave with their cardboard box of possessions.
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Ask your editor or ask your agent to find out what the house's goals are for your book before it comes out. Get some sense of expectations so you are prepared.
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Filming '24' is just like watching '24.'
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Labor is the source of all wealth and all culture.
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My lifestyle had made me a walking time bomb.
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When I left prison, I had to figure out how to embrace my past.
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Most of my relationships have been like that - with record companies. I've never had a legitimate business relationship with a company. I've always had a personal relationship with someone in the company.
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I'm deeply stressed as a filmmaker, and I know I'm not alone. The censorship crisis, the moral policing, the politics of it has most of us on edge. I'm scared to use certain words: like, if I use 'Bombay,' will there be a problem?
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People love things about Hollywood. People love to see the inside of what's going on.
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Let us not let the world be defined by the destruction wrought by one virus, but illuminated by billions of hearts and minds working in unity.
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It's much harder to be an in-house person than an outside person.
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I remember going to the East Village for the first time as a fifteen-year-old and going to Tompkins Square Park. That really seemed like a pretty edgy thing to do.
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The most reckless sinner against his own conscience has always in the background the consolation that he will go on in this course only this time, or only so long, but that at such a time he will amend. We may be assured that we do not stand clear with our own consciences so long as we determine or project, or even hold it possible, at some future time to alter our course of action.
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I've wanted to do things; I wanted to build things, to get something going.
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The Little Drummer Boy was playing in the background for what seemed like the third time in a row. I fought off an urge to beat that Little Drummer Boy senseless with his own drumsticks.
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If you eat meat, something like that is going on in the background for you too.
