Norman Quentin Cook (Fatboy Slim) Quotes
Quotes to Explore
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I just want to make a classic. Classic is the standard. I'm just trying to make music that will last a lifetime.
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When you start putting too much thought into it, the music starts getting too revealing. You don't need to know all my inner thoughts.
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I'm not a pop act, churning stuff out really quickly. I find the music that arises from that style of working is distracted, not particularly profound.
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Those who seek to satisfy the mind of man by hampering it with ceremonies and music and affecting charity and devotion have lost their original nature.
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I quit high school on my birthday. It was my senior year and I didn't see the point. This was 1962, and I was ready to make music.
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I was a fan of T-Pain's music growing up. I bought 'Epiphany' and 'Rappa Ternt Sanga.'
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There's the Bacon society, which is fostered by his fourth wife Helen Bacon, but I don't know what kind of performances his music gets. He wrote symphonic music and some chorale music.
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Our music attracts the people that we rap about and make music about, and they come out and actually do it.
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I love fashion. I like dressing how I feel, and my music shows how I feel - they go hand in hand. My performance style is pretty much the same as my everyday style.
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When I started making music, I was so heavy into the hyphy movement. That's something you only know so much about if you were right there living in it, submerged in the culture.
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I love the smell of a theater. The old rooms and the carpet and all that stuff. I love to tell stories. Even before I was doing music, I saw myself as a director. So most of my songs come in a play form, you know, where there are characters and stories, so I like to go beyond just the song sometimes.
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As a youngster, my parents made me aware that all that was from the African Diaspora belonged to me. So I came in with Caribbean music, African music, Latin music, gospel music and blues.
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But I feel music has a very important role in ritual activity, and that being able to join in musical activity, along with dancing, could have been necessary at a very early stage of human culture.
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It's very much a piece of myself when I write a song. I don't mean to say it's very personal, like the lyrics mean something personal to me. When I write a song, that's my taste in music – my taste in chord progressions and melodies.
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Where words fail, music speaks.
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I went to underground music studios. In the studios, I learned that you can make a movie without a permit.
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In the '60s, people were still very protective of each field that they belonged to. Avant-garde artists didn't know about rock or pop or jazz. And the jazz people of course didn't want to know about any other music. They were all just kind of protecting their territory.
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If you have music that sounds like what you cover, people won't be able to differentiate who you are.
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Mention Hubert Sumlin, as well, because Hubert's a great man, and again, you know, I don't play the guitar very good, but when I'm playing this kind of music, I always have him in my mind. I wish I could play like Hubert.
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I have three wonderful children. My husband is an absolutely wonderful, perfect husband and a father, most of all.
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I work from a personal place, and the work has personal meaning for me.
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It undermines the key relationship between civil servants and ministers, ... It has led to very great concern, I may say, among the whole of the diplomatic service.
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I just have these lapses. Guess I'm stuck with it. But I play better when I get behind. I say to myself, 'Now I have to play well.'
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I make music for the hips, not the head.
