Norman Quentin Cook (Fatboy Slim) Quotes
Quotes to Explore
-
I was a fan of T-Pain's music growing up. I bought 'Epiphany' and 'Rappa Ternt Sanga.'
Quavo
Migos
-
There's the Bacon society, which is fostered by his fourth wife Helen Bacon, but I don't know what kind of performances his music gets. He wrote symphonic music and some chorale music.
Carlisle Floyd
-
Our music attracts the people that we rap about and make music about, and they come out and actually do it.
Quavo
Migos
-
I love fashion. I like dressing how I feel, and my music shows how I feel - they go hand in hand. My performance style is pretty much the same as my everyday style.
Banks
-
When I started making music, I was so heavy into the hyphy movement. That's something you only know so much about if you were right there living in it, submerged in the culture.
G-Eazy
-
I love the smell of a theater. The old rooms and the carpet and all that stuff. I love to tell stories. Even before I was doing music, I saw myself as a director. So most of my songs come in a play form, you know, where there are characters and stories, so I like to go beyond just the song sometimes.
R. Kelly
-
As a youngster, my parents made me aware that all that was from the African Diaspora belonged to me. So I came in with Caribbean music, African music, Latin music, gospel music and blues.
Henry Saint Clair Fredericks
-
But I feel music has a very important role in ritual activity, and that being able to join in musical activity, along with dancing, could have been necessary at a very early stage of human culture.
E. O. Wilson
-
It's very much a piece of myself when I write a song. I don't mean to say it's very personal, like the lyrics mean something personal to me. When I write a song, that's my taste in music – my taste in chord progressions and melodies.
Zooey Deschanel
-
Where words fail, music speaks.
Hans Christian Andersen
-
I went to underground music studios. In the studios, I learned that you can make a movie without a permit.
Bahman Ghobadi
-
In the '60s, people were still very protective of each field that they belonged to. Avant-garde artists didn't know about rock or pop or jazz. And the jazz people of course didn't want to know about any other music. They were all just kind of protecting their territory.
Yoko Ono
