Wanda Jackson Quotes
Quotes to Explore
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I've never gotten thick skin. If you close yourself off and you get this protective armor, there is a price you pay with that - of not feeling. And feeling is important when you are a songwriter.
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I don't regret doing any of my films. All of them have been great learning experiences, and they have contributed to making me what I am today.
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In Morocco, it's possible to see the Atlantic and the Mediterranean at the same time.
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I feel sorry for the man who marries you... because everyone thinks you're sweet and you're not.
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To me, eyewear goes way beyond being a prescription. It's like makeup. It's the most incredible accessory. The shape of a frame or the color of lenses can change your whole appearance.
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That a majority of the Abolitionists in this place would patronize a free labor store, in preference to others, I do not doubt; but we do not muster money in Cincinnati.
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The way through the world is more difficult to find than the way beyond it.
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Anti-inflammatories always seemed to work well for my joints, but the problem was you couldn't take them all the time.
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The primary way that we know about what lives in the ocean is we go out and drag nets behind ships. And I defy you to name any other branch of science that still depends on hundreds-of-year-old technology. The other primary way is we go down with submersibles and remote- operated vehicles. I've made hundreds of dives in submersibles.
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I haven't read a review of one of my films for the best part of 10 years.
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Without knowing about flexibility, one cannot work out strategies to deal with the enemy and prepare for changes, and without knowing about the foundation of one's own culture, one would be contemptuous of the Confucian ethical codes.
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My friends in the TV news business are in a state of despair about Donald Trump, even as their bosses in the boardroom are giddy over what he's doing for their once sagging ratings.
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I loved things like Destiny's Child, and Amy Winehouse's first record came out when I was 11 years old. But as a young, young child, I was just surrounded by Stevie Wonder, Whitney Houston, Chaka Khan - just massive, soulful voices.
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To be honest with you, I've been dying to do a nice indie feature - just something about a regular guy with a big quirk or a big emotional problem. Just something that's a straightforward, classic indie film. It sounds weird, but it's been easier for me to get cast in big tentpole films than the indie community. I'd love to do that.
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I think comedy is one of the hardest things to do.
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Unlike fashion, art isn't applied. It doesn't have to serve anybody. It doesn't have to be there for any other reason than to give an impression of what the world is about.
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If you respect a language and culture, it shows in your work.
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I owe a great deal to Harold Hobson, doyen drama critic of the 'U.K. Sunday Times,' who championed me as Shakespeare's Richard II at the 1969 Edinburgh Festival.
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The point of the essay is to change things.
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I love thinking about the film, the project and committing myself as much as possible.
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As a model, I really stand for not being a model, if that makes sense. When I started, the whole idea of the model was very different; it was a bit stuck-up. Not stuck-up, but no one was trying to have fun, or not even have fun, but be willing to smile.
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I still enjoy performing, whether it's in front of two people or 2,000 people, but it's not fun once you leave the big show.
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I used to tell my three younger siblings stories because that was my household chore, and I told long stories in installments because it was easier and more fun than making up a new story every night. I loved it.
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But, it was a popular show, and I knew everyone on it, so it was always fun to do.
