Baron Davis Quotes
Quotes to Explore
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San Franciscans know we live in the most beautiful city in the world, a jewel on the edge of the Golden Gate.
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Do we really want Washington administrators coming between us and our doctors?
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The British Museum was our first real museum, the property of the public rather than the monarch or the church.
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It's not my job to be popular. I'm goal-driven; my job is to get results.
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Right now I'm really happy with how things are going with my chess career, so I'm not thinking of doing anything else.
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If in 1989 I said, 'I have an idea: Bottle water and sell it. And charge more than a beer,' they would have chased me around with a giant butterfly net. The same with paying to watch a television station.
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If you are going to make a change, don't go halfway. Make it with conviction and stick with your new idea. Ignore the scoffers. Remember, it is a law of nature that if something is different you're going to be taunted, jeered, and told the world is flat. Let the doubters fall off the edge.
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I went to boarding school from the age of eight - first to prep school, then to Eton. One thing that kind of education teaches you is community living: there's little retreat. That's why people come out of it and talk about lifelong friendships forged in the furnace.
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The death of Churchill at 90 was one of those watershed moments in which the obituary rises to a special calling beyond the sharing of remembered times. It gave an older generation a rare opportunity to explain something of itself to its children.
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Every question is a hypothetical question for everyone but the person who asks it.
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It was really fascinating for everyone involved in 'Fargo' that Marge Gunderson became the iconic character she did. I think it was something about the cultural zeitgeist and what was happening with women in the workplace.
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I have been absolutely hag-ridden with ambition. If I could wish to have anything in the world it would be to be free of ambition.
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People don't want to believe they have to speak like Obama or Clinton to participate meaningfully in politics, because most of us don't speak like Obama or Clinton.
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You're in the public eye and you just hope that people don't come up and interrupt you while your in the middle of a meal or a conversation or something like that.
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I now understand how varied the world of cultivated rice is; that rice can play the lead or be a sidekick; that brown rice is as valuable as white; and that short-grain rice is the bee's knees.
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What musicals need is a new me.
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I see a lot of scripts, and very few of them leap off the page at you.
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You have to find it in the moment, and that's one of the challenges of being an actor - especially a film actor - is that you have to maintain these heightened emotions for long periods of time. There's no trick to it. You just have to do.
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Skateboarding is a part of Hip-Hop culture. I think it's the fifth element of Hip-Hop - emceeing, deejaying, b-boying, graffiti, and skateboarding. Skateboarders live and die on the streets. It's expression - it's everything that Hip-Hop is.
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The service we render to others is really the rent we pay for our room on this earth. It is obvious that man is himself a traveler; that the purpose of this world is not 'to have and to hold' but "to give and serve."
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When I was a little bitty kid, my aunt showed me how to play a little boogie. It took me years. I had to play the left-hand part with two hands, because my hands was so little. Then as I grew up and I learned how to play the left-hand part with one hand, she showed me how to play the right-hand part, and et cetera. My Uncle Joe showed me how to play a little bit different boogie stuff. I had people in my family that was professional musicians, but I just wasn't interested in what they did. I wasn't very open-minded to a lot of music that I'd be more open to today.
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I'm glad I don't play anymore. I could never learn all those handshakes.
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I mean that's something we're very conscious of when writing. Tempos are very important. Like "Oh we can't play the song too fast because people aren't going to feel it." There's a pulse to a song. You can't play it too slow. We're always trying to find the perfect tempo.
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The adrenaline gets pumping and you just got to forget about [injuries] and play.
