A. R. Ammons Quotes
Quotes to Explore
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I have absolutely no regret about my vote against this war. The same questions remain. The cost in human lives, the cost to our budget, probably 100 billion. We could have probably brought down that statue for a lot less.
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Passion is one great force that unleashes creativity, because if you're passionate about something, then you're more willing to take risks.
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Men are domineering in rural Haryana, and that shows in sport, too.
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I'd love to have a 19th Century Russian book club where all the members had to act like the pretentious minor noblemen they were reading about.
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Thank God for the potholes on memory lane.
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My first big role was when I was 17 and I got the part playing Maria in 'West Side Story' in my school production.
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In particular, I found praying very disturbing, like swimming with bricks tied to your feet. And yet I was drawn to it constantly.
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The leader can never close the gap between himself and the group. If he does, he is no longer what he must be. He must walk a tightrope between the consent he must win and the control he must exert.
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Shakespeare will not make us better, and he will not make us worse, but he may teach us how to overhear ourselves when we talk to ourselves... he may teach us how to accept change in ourselves as in others, and perhaps even the final form of change.
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I feel very giddy with the idea of making my imagination take form and being able to put on a show where people leave feeling like they've experienced something.
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One difficulty in making the Senate work the way it was intended is that America's electorate is increasingly divided into red and blue states, with lawmakers representing just one color or the other.
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The biggest impediment to growth is in our minds and not in the world outside, and only constant in the world is change.
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Aphorisms are the true form of the universal philosophy.
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In a lot of films, they're showing more complete, developed characters of diverse ethnic backgrounds. The larger concern is to be able to tastefully explore the stereotypes, and still move past them to see the core of people.
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I think what made John Lennon so exciting as an artist is that, like Dylan and other musicians with a truly important musical legacy, he had several faces, personas that changed over time as he developed.
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Christ, he was paranoid about criticism. I used to say: why doesn't he worry about the team and forget what people are saying? He got Phil Thompson, who was a kid coming through when I was a Liverpool player, to have a go at me. So now I don't talk to him.
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When I was young, a lot of things were closed off to me. I was always told, 'Don't do this, you can't do that' – instead of stopping me, it made me think, 'I can do that, I must do that.'
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My hand does the work and I don't have to think; in fact, were I to think, it would stop the flow. It's like a dam in the brain that bursts.
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You feel free in Australia. There is great relief in the atmosphere - a relief from tension, from pressure, an absence of control of will or form. The Skies open above you and the areas open around you.
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Sometimes you search so hard for words. You look for a way to interpret the language of this heart and the unspoken bond you feel. But in the end you are left with nothing but silence. And deep down you hope it’s understood.
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Do not speak - unless it improves on silence.
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I don't want security guards. I don't think security guards are particularly good for your writing.
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Consider the most famous pure dystopian tale of modern times, 1984, by George Orwell (1903-1950), published in 1948 (the same year in which Walden Two was published). I consider it an abominably poor book. It made a big hit (in my opinion) only because it rode the tidal wave of cold war sentiment in the United States.
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Only silence perfects silence.
