Rekha Sharma Quotes
I always thought my big brother was the coolest. We were very close when I was young, and we still are in many ways! He was a very open-minded, urban guy with an outdoorsy edge. He is mostly responsible for exposing me to art and culture.
Quotes to Explore
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Our output and continued success is all about our culture. Ours has to be highly collaborative, and we have company-wide events and processes to make sure everyone stays aligned.
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We lived on isolated farms and ranches, far from anybody, and when I was young I knew very few other kids, so I lived to a great extent in my imagination.
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My perspective was always being on a number one show doesn't mean anything if I'm not still working consistently at 40 to 50 and 60 years old.
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African-Americans are not a monolithic group. So, we tend to talk about the black community, the black culture, the African-American television viewing audience, but there are just as many facets of us as there are other cultures.
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I lived near Arthur's Seat when I lived in Edinburgh. It was the perfect playground as a child. I always have a wee run up there when I'm back.
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The childhood poverty of both my parents and their minimal education did much to influence me and my two younger brothers in our education and career choices. One brother became a dentist and the other, a professor of anthropology with a Ph.D. degree.
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London is the financial capital of Europe, a great platform to America and Asia. I love the fact that in British culture you can be whoever you want, and people don't even look at you. I don't feel that in Paris or Milan.
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I was taught as a young child by my parents and family to love myself.
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Stay humble. Always answer your phone - no matter who else is in the car.
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I came to Hollywood determined to follow in Jean Harlow's footsteps, but I was determined not to die young. My hope was to endure. And endure I have.
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I've always loved fashion.
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I didn't do the typical things that young kids do.
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I've always considered music stores to be the graveyards of musicians.
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T.I.'s my mentor; he's a really close friend of mine. I call him my brother like we talk on the phone all the time. He's helped me with my career.
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Violence, even well intentioned, always rebounds upon oneself.
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As a reader, I've always been interested in dystopian novels like 'Nineteen Eighty-four'.
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From the very beginning, I always tried to make dialogue flow comfortably; I always did that to make it seem more authentic.
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Again, as a gay man I look at that and say there's a hopelessness that surrounds it, but as a human being I look at it and say 'Why? Where's this disparity coming from, and why can't we as a culture and society dig deeper to examine that?' We're terrified of facing ourselves.
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I thought to be feminine was to give in to straight culture, or the beauty standard, but in my heart I had a flair for fashion and style. They were passions I kept secret because I didn't understand I could love clothes and hair and makeup and still like girls.
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Because success is such a weasel word anyway, it's such a horribly American word, and it's such a vamp and, I think it's a death trap.
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I made one untitled piece.
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What is new is that environmentalism intensely illuminates the need to confront the corporate domain at its most powerful and guarded point - the exclusive right to govern the systems of production.
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Most English-speaking people, for instance, will admit that cellar door is 'beautiful', especially if dissociated from its sense (and its spelling). More beautiful than, say, sky, and far more beautiful than beautiful. Well then, in Welsh for me cellar doors are extraordinarily frequent.
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I always thought my big brother was the coolest. We were very close when I was young, and we still are in many ways! He was a very open-minded, urban guy with an outdoorsy edge. He is mostly responsible for exposing me to art and culture.
