Beaumont Newhall Quotes
If the historian will be faithful to the photograph, the photograph will be faithful to history.
Quotes to Explore
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I'm not faithful to one particular medium, and it's what I try to teach to people who work with me.
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Even today I work with Niall O'Brien, who is far more technically astute than I am, but I still have the clearest idea of every detail I want in my photograph.
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Mostly, I worked so quickly, I didn't see the details of a photograph until it was printed.
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Translation is like a woman. If it is beautiful, it is not faithful. If it is faithful, it is most certainly not beautiful.
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I hate having my photograph taken.
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I photograph what interests me. I'm not saying anything different.
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Every photograph is a battle of form versus content.
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I photograph to see what the world looks like in photographs.
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In the end, maybe the correct language would be how the fact of putting four edges around a collection of information or facts transforms it. A photograph is not what was photographed, it's something else.
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A photograph can look any way.
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I said the photograph isn't what was photographed, it's something else. It's about transformation. And that's what it is.
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There is no special way a photograph should look.
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My intention is to make interesting photographs. That's it, in the end. I don't make it up. Let's say it's a world I never made. That's what was there to deal with.
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If you run into a monkey in some idiot context, automatically you've got a very real problem taking place in the photograph.
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A pun calls the meaning of a word into question, and it upsets us tremendously. We laugh because suddenly we find out we're not going to get killed. I think a lot of things work that way with photographs.
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I know what I like to use myself. I use Leicas, but when I look at the photograph, I don't ask the photograph questions. Mine or anybody else's. The only time I've ever dealt with that kind of thing is when I'm teaching.
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I never saw a pyramid, but I've seen photographs; I know what a pyramid or a sphinx looks like. There are pictures that do that, but they satisfy a different kind of interest.
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Well, in terms of what a camera does. Again, you go back to that original idea that what you photograph is responsible for how it [the photograph] looks. And it's not plastic, in a way. The problem is unique in photographic terms.
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A very faithful drawing may actually tell us more about the model but despite the promptings of our critical intelligence it will never have the irrational power of the photograph to bear away our faith.
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I keep that memory somewhere inside me—where it’s safe. I take it out and look at it when I need to. As if it were a photograph.
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We are by nature observers, and thereby learners. That is our permanent state.
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I'm always trying to learn and grow, so my diet has, over the years, evolved.
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If the historian will be faithful to the photograph, the photograph will be faithful to history.
