Malala Yousafzai Quotes
Quotes to Explore
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Usually, you lose interest in a story beyond a certain point. But with 'Highway,' there was something very subtle, yet something very influential. I intended 'Highway' to be the first film that I ever made. Didn't happen.
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I definitely want to work on a project with young designers, not just French but international.
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I was not getting work, even after auditioning for films. So I started working in a studio as a photographer; I assisted a cinematographer for two ads. I was thinking that I will get into photography or cinematography or assist someone. But then the 'Dangal' offer came, and I was busy with the auditions.
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My mail address is open for anyone, and I read all my mails by myself.
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I think the reason they cast me as the good girls is because they couldn't find any in Hollywood.
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I was always used to being centre stage - something that had its good and bad points.
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It simply isn't acceptable for the likes of Google, Facebook, Amazon and others, which amass data by the terabyte, to say, 'Don't worry, your information's safe with us, as all sorts of rules protect you' - when all evidence suggests otherwise.
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Make yourself comfortable in everything you do.
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I was told that, when 'Betrayal' was being produced by one of the provincial companies in England, the two actors playing those roles actually went into a pub one day and played that scene as if it were really happening to them. The people around them became very uncomfortable.
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All you can do is focus on telling the best story you can with compelling characters. If you do it right, it will endure. If you do it wrong, it won't.
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So many roles for women demand that you make the audience fall in love with you or sympathise with you.
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I am disappointed and disturbed by both the NFL and the Dodgers - but much more by the Dodgers.
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You can't show up at the bedside and then turn on your skills. You have to keep your game sharp all the time.
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Trent likes to record guitars direct, whereas I've always preferred playing through an amplifier.
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My shows and my material are grounded in reality. It's pretty much something that's either happened in my life or in the news, and I start there and give you my take on it.
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I tend not to have any references to anything. I just jump into the script in front of me. If you reference too much, you have no idea if the performances are right.
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Never interrupt your enemy when he is making a mistake.
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In the life of any actor or actress, there is inevitably a time when they will be eligible to act in a Tom Stoppard play. He has written a lot, and they are revived often, and there are so many characters of different ages that it was more likely I'd end up in something of his than that I wouldn't.
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I could put a sudoku at the end of every chapter and you'd have to solve it to progress through the story, but that doesn't address what would make people want to interact.
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I am a student of the game.
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I love Viola Davis.
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I love Fayetteville. I like hills and vistas and hardworking people and fighting snow in winter and chiggers in the summer.
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The thing I tried to remember when I was younger was 'Do something that's at least as good, if not better, than the last thing you did.' So I started with Brian De Palma and Sean Penn. I had a pretty high bar to start with.
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We must tell girls their voices are important.
