Malala Yousafzai Quotes
Quotes to Explore
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Usually, you lose interest in a story beyond a certain point. But with 'Highway,' there was something very subtle, yet something very influential. I intended 'Highway' to be the first film that I ever made. Didn't happen.
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I definitely want to work on a project with young designers, not just French but international.
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I was not getting work, even after auditioning for films. So I started working in a studio as a photographer; I assisted a cinematographer for two ads. I was thinking that I will get into photography or cinematography or assist someone. But then the 'Dangal' offer came, and I was busy with the auditions.
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My mail address is open for anyone, and I read all my mails by myself.
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I think the reason they cast me as the good girls is because they couldn't find any in Hollywood.
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I was always used to being centre stage - something that had its good and bad points.
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It simply isn't acceptable for the likes of Google, Facebook, Amazon and others, which amass data by the terabyte, to say, 'Don't worry, your information's safe with us, as all sorts of rules protect you' - when all evidence suggests otherwise.
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Make yourself comfortable in everything you do.
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I was told that, when 'Betrayal' was being produced by one of the provincial companies in England, the two actors playing those roles actually went into a pub one day and played that scene as if it were really happening to them. The people around them became very uncomfortable.
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All you can do is focus on telling the best story you can with compelling characters. If you do it right, it will endure. If you do it wrong, it won't.
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So many roles for women demand that you make the audience fall in love with you or sympathise with you.
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I am disappointed and disturbed by both the NFL and the Dodgers - but much more by the Dodgers.
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You can't show up at the bedside and then turn on your skills. You have to keep your game sharp all the time.
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Trent likes to record guitars direct, whereas I've always preferred playing through an amplifier.
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My shows and my material are grounded in reality. It's pretty much something that's either happened in my life or in the news, and I start there and give you my take on it.
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I tend not to have any references to anything. I just jump into the script in front of me. If you reference too much, you have no idea if the performances are right.
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Never interrupt your enemy when he is making a mistake.
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In the life of any actor or actress, there is inevitably a time when they will be eligible to act in a Tom Stoppard play. He has written a lot, and they are revived often, and there are so many characters of different ages that it was more likely I'd end up in something of his than that I wouldn't.
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The only difference is that religion is much better organised and has been around much longer, but it's the same story with different characters and different costumes.
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You find out what's in you when it comes out
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I really think that in the media world that we live in now, especially for writers, it has to be a conversation. With very few exceptions, it can't be this one-way, 'Here I am on the mountaintop preaching to all of you great unwashed readers in hopes of saving you.' It doesn't work that way.
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Ah, man, if I could ever hook up with Tom Waits, I'd be the happiest camper in Yellowstone, alright? That's the one guy.
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Every time I got close, somebody seemed to play a little better.
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We must tell girls their voices are important.
