Antonio Canova Quotes
Quotes to Explore
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I have been known as the minimal and conceptual artist for over five decades. I think I haven't changed much.
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You got me: I do Pilates. I love Pilates because we do very specific training in soccer for the same six or seven muscles, but we neglect so many other muscles. So when I do Pilates, it helps get all the rest of the muscles in shape and gets them working together.
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I was brought up by the English side of my family, who are very repressed and working class. Absolutely lovely, but very English.
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I love working in America, I love being part of the industry out here.
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I'm a big believer in living life as an extended working vacation.
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I have to take it as a given that I have got a certain ability to do something. I can be an artist, which is take something and transform it into another thing. I can just see something, and I can see my painting.
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I got a job as a human rights and refugees officer, working on youth-based projects. But I realized all the kids I was working with were far more into 'The Daily Show' than the policy briefings.
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I think with anything where you delve into the back story of an artist, it kind of explains their work more intimately.
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A good artist should be isolated. If he isn't isolated, something is wrong.
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I think some actors thrive on working at a much greater pace than I do.
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I was a big fan of Super Troopers, so working with the Broken Lizard guys was so much fun.
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When I was working at Teleflora, I got booked to do 'Talladega Nights,' so I went and did that. That was really my first big break ev-er. I made as much from my per diem during the three-month shoot as I did for the entire previous year.
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We do recognise that there are areas where the current financial services market, the banking market, just isn't working for chunks of the British economy.
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It is futile for an artist to try to create an environment because you have an environment around you all the time. Any living organism has an environment.
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What could be better than working with people you love?
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It might crush a lot of people, but I've never been in the room with an artist that I've written a song for.
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All of the guys I know from Jersey held onto this feeling of, 'We're always just working.'
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I am Warhol. I am the No. 1 most impactful artist of our generation. I am Shakespeare in the flesh.
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I am one day going to be working openly in the motion picture industry. When that day comes, I swear to you that I will never sign a term contract with any major studio.
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I think it's important to have confidence, but then it's also important to try to try something new, to leave your comfort zone to try to grow. That's why I'm trying to grow as an artist and trying to figure out what kind of artist I want to be.
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If they're working in a workshop somewhere, where there is, let's say, uh... only twenty people, or something like that, that's still, when they work and do a scene, that's still working in front of somebody.
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My sophomore year at high school, I spent $300 I had earned working at After School Matters for my first studio session. For a 16-year-old to sacrifice that much money was pivotal. It spoke a lot about how serious I was.
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So must the artist do in working at the nude.