Nicholas G. Carr Quotes
I think we begin to lose the ability to read in the deepest, most interpretive ways because were not kind of calming our mind and just focusing on the argument or the story.
Quotes to Explore
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The oldest books are only just out to those who have not read them.
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All of my problems are rather complicated - I need an entire novel to deal with them, not a short story or a movie. It's like a personal therapy.
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A story never looks as good as when the other fellow buys it.
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It's important for cinema to keep on evolving: for people, and not only teenagers, to be able to go to a movie that has huge epic scope but has an intellectual and real story to tell.
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I'm not a very big fan of 'Slumdog Millionaire.' I think it's visually brilliant. But I have problems with the story line. I find the storyline unconvincing.
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90%, 100% are going there to hear the singing. The story is another thing. Nobody's interested in the story. Happiness is happiness.
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Sometimes the kids come up with better endings than the real story.
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This basic thing I always do: 'What happened between the character's birth, and page one of the script?' Anything that's not in the story, I'll fill in the blanks.
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In fact, I don't read newspapers any longer.
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I was also the romantic lead in The Boston Strangler - I was the only one that lived to tell the story - so I called myself the romantic lead.
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I never want to write a book just to tell a story. There is always something deeper going on.
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The reader is going to imprint on the characters he sees first. He is going to expect to see these people often, to have them figure largely into the story, possibly to care about them. Usually, this will be the protagonist.
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At times, the curve/fat/plus convo tends be this 'out of the dark' story, like, 'I used to be insecure, but now here I am.' But that is not my reality, and for most of the people, that isn't their reality, either.
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When 5150 came out rock was king. Post Nirvana and Pearl Jam 1996 is a different story.
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My grandmother died in childbirth, and my great-aunt lived with us. She had bound feet. She never knew how to read or write.
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With a mini series you can give the story a proper sense of pacing, a proper sense of closure.
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I'm quite illiterate, but I read a lot.
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As a writer, I had learned a lot on 'Margin Call' about embracing the weaknesses of a narrative and of a project. A story always has an inherent narrative weakness.
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I read Carver. Julio Cortazar. Amis's essays. Baldwin. Lorrie Moore. Capote. Saramago. Larkin. Wodehouse. Anything, anything at all, that doesn't sound like me.
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When we read, we are not looking for new ideas, but to see our own thoughts given the seal of confirmation on the printed page. The words that strike us are those that awake an echo in a zone we have already made our own - the place where we live - and the vibration enables us to find fresh starting points within ourselves
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It's important to take time for your spouse and nurture the relationship.
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If it is indeed impossible - or at least very difficult - to inhabit the consciousness of an animal, then in writing about animals there is a temptation to project upon them feelings and thoughts that may belong only to our own human mind and heart.
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Sometimes you know in your heart you love someone, but you have to go away before your head can figure it out.
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I think we begin to lose the ability to read in the deepest, most interpretive ways because were not kind of calming our mind and just focusing on the argument or the story.
